Archive for the ‘Township Soul & Boogie’ Category

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Harari -Kala Harari Rock -Township Soul & Boogie vol 9

March 18, 2013


Harari -Kala Harari Rock album cover

“Kala-Harari -Rock” was released in South Africa at the end of 1979.  It was the group’s third album and the selection of songs leans heavily on their African roots. This is Harari’s first real return to Africa since ‘Rufaro’ which was the genesis of the Harari sound.

The concept of  ’Kala-Harari -Rock’ is based the raw wildness of the jungle, translated into music acceptable to the Western ear.  File under Afrobeat, Funk, Disco. The standout track on this album is easily the instrumental ‘Soweto Sunset’ a mesmerizing funky groove, relaxed and powerful. Other favourites are’Safari’, ‘Jikeleza’ and ‘Elephant Dance’. But why not judge for yourself, the full album is available here on these pages for a limited time only. Enjoy!

Harari -Kala Harari Rock side 1

A1. Kala-Harari – Rock 5:18

A2. Give 5:22

A3. Safari 5:20

Harari -Kala Harari Rock side 2

B1. The Whole World’s Dancing Now 5:17

B2. Soweto Sunset 4:40

B3. Jikeleza 3:37

B4. Elephant Dance

see also the homebrew of Harari -Township Soul & Boogie pt 3 and Om’Khaoli -Magic Touch 1982 -Township Soul & Boogie Vol 6

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Township Soul & Boogie Vol 8; Soul Special -Almon Memela 1975

January 21, 2013

straatbeeld winter 3  the week starts with a lot of snow, wind and icy temperatures….Winter! A perfect time of the year to bring out some really warm and soothing South African sounds.

One of the albums I found on my recent South African trip last October catched my attention for the strange cover -the keyhole!-and some awesome obscure titles. This rare album came from a black radio-station and the fact that the last track on side B had been censored simply blew my mind. Scratching out the track with a nail (!) and obscuring the typography on the label and artwork of the cover is quite bizarre although it was not an unusual practice in South Africa’s dark days of Apartheid. The reason for censoring remains unclear since Kid Manotcha’s ”Up The Chiefs” is actually an instrumental track but therefore all the more intruiging.  More on banned beats in a future post.

Almon Memela pic

Almon Memela

Ever heard of groups like The Fast Move, Soul Rhythmers or Black Lightening? Or Kid Moncho and Izintombi Zodumo?? Well, I hadn’t either until I got this album, produced by Almon Memela, who also wrote a few of the compositions presented here in today’s post, a pick up on the thread Township Soul & Boogie.

See also hey sista, go sista, soul sista -Township Soul & Boogie Vol 2

Most of the artists on this LP are probably studio-musicians who worked with Almon Memela on several recordings in the bump and soul genre, styles that were popular in South Africa in 1975.

The best known track is the lovely ‘Three Steps To Heaven’, a cover of an original song by Eddie Cochran, the signature sound of the late 1950s. This brilliant gem is one of the best love songs of the 20th century and presented here in a good-humoured reggea-vibe.

soul special cover front Soul Special label side 2

side 1

Izintombi Zodumo -Don’t Ever Think Of Leaving Me

The Fast Move -Change The Beat

Soul Rhythmers -Maria

Kid Moncho -Our Kind Of Bump

Black Ligthtening -Three Steps To Heaven

Soul Rhythmers -Open House

side 2

Soul Rhythmers -Hubby Is Home

Soul Rhythmers -Jackpot

Izintombi Zodumo -Mississippi River

Black Ligthtening -Blue Day

The Fast Move -No Time To Waste

CENSORED Kid Manotcha -Up The Chiefs

Soul Special -Highway Soul HSL 2000 -released in 1975

Almon Memala’s discography can be found at flatint. Thanks for the pic btw.

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Umoya ft Alec ‘Om’ Khaoli -Oya Kae 1985

December 14, 2012

see also Om’Khaoli -Magic Touch 1982 -Township Soul & Boogie Vol 6

Umoya-1985

 Umoya is a German based reggae band, founded in 1982.  Its name is Swahili for “unity”. Their EP ‘Satisfy/ Party / Feels Good/ Oya Kae’ was released as 12″ in 1985.  There might be a subtle difference in spelling the name but Umoja was formed in South Africa by Alec ‘Om’ Khaoli’s after leaving Harari.

This 45 rpm single “Oya Kae” was released that same year on CBS Records. The spelling of  the name of Umoja is confusing since the  German group recorded this seldom seen track. Alas, the pressing or mastering of this particular disc is not 100% but its rarity makes up for the sound quality.

Does anybody knows in which country this single was originally released??

Umoya -Oya Kae Pt 1 label

Umoja featuring Alec ‘Om’ Khaoli -Oya Kae Pt 1 

Umoya -Oya Kae Pt 2 label

Umoja featuring Alec ‘Om’ Khaoli -Oya Kae Pt 2 

a few albums by South African group Umoja

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Hip To The Jive – Summer 2012 Mix

August 10, 2012

Enjoy!

Hip To The Jive – Summer 2012 Mix 

 tracklist

1. Kid JoJo -Peanut Bump

2. Boyoyo Boys -Daveyton Special

3. Osiyazi -Sibaya Reception

4. Pikinini Khumbuza -Jackpot

5. EliasMethebula & The Chivani Sisters -NtelaATingangeni

6. Majozi -Ngimbonile Ubaba

7. Umakhathakhathanamachunu -Ezweni I Ikshaka

8. Majakathatha -Ke Saea Maseru

9. Izazi -Bayesutha

10. Dilika -Ngaylshela Yavuma

11. Manka Le Phallang -Khutsana

12. Mzikay Ifani Buthelezi -Themba

13. Amalokohloko -Aslangenlani

Dolly Rathebe -Drum cover July 1955

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South African Soul Divas Pt 5 -Margaret Singana, Lady Africa

July 30, 2012

Belgian 45 rpm release

  in today’s post I want to highlight the work and the voice of a truly great South African singer who had her share of success but who also suffered from bad luck and discrimination. The tragic story of “Lady Africa”, Margaret Singana.

Her biggest hits are the uptempo boogie tracks ‘Where Is The Love’ and ‘We Are Growing’ and I guess that not many people will be familiar with the soul side of this versatile singer.

Just listen to ‘Cry To Me’ and ‘Stand By Your Man’, both sung in a deep heart-felt bluesy voice and backed by equally great musicians. Margaret Singana delivers and knows how to make these standards her own.

Her irrestible singing style was influenced by American R&B, deep Southern Soul, Black Gospel & Disco. Her vocal abilities can stand the test with those of Candi Staton and even Aretha Franklin, America’s First Lady of Gospel & Soul. But it’s Margaret Singana’s  spirit and voice from deep within that defines the moment and accentuates her African roots.

                                               Margaret Singana -Where’s The Love

Margaret Singana was born Margaret M’cingana in Queenstown in 1938 . As a teenager she went to Johannesburg to look for work in the music industry. She became the first black artist to feature on the white-dominated Radio 5 hit parade. Her version of “I Never Loved a Man The Way I Loved You” became a local hit. But due to strict laws for black inhabitants of South Africa she did not succeed to break through and she became a domestic worker, victimized by the ruthless Apartheid’s regime. Her employer however discovered her musical talent and introduced her to a record company.

The featured single here was originally released as JB001 on Jo’Burg Records, both tracks can be found on the 1974 album “Lady Africa”.

Margaret Singana -Cry To Me

Ipi Tombi -original cast recording

Margaret Singana -Gimme Your Love

Margaret Singana’s big moment came in 1973 with the release of  ’The Warrior called Ipi ‘N Tombia’, a reworking of the musical Ipi ‘N Tombi written by Bertha Egnos and her daughter, lyricist Gail Lakier.

See also my previous posts hey sista, go sista, soul sista -Township Soul & Boogie Vol 2  and SA movies -1965 OST ‘Dingaka’ by Bertha Egnos

In the following years, she released several other albums in South Africa, mostly produced by Patric Van Blerk which were a success in her homeland, but her performances in Europe yielded. Margaret Singana was nicknamed ‘Lady Africa’. In 1978 she had a stroke, but she recovered and came back. In the mid ’80s, she sang “We Are Growing”, the title song of the television series Shaka Zulu. This song became a No. 1 hit in the Netherlands a few years later. The Dutch released 12″ of Shaka Zulu ‘We Are Growing’ contains the original version, the extended remix and a song that is quite special for Margaret Singana as she sings in her native language isiXhosa, not in English. ‘Hamba Bekhile’ is a traditional song that women sing after brewing beer when they pass the calabash around the thirsty men to sample the brew. It’s also the name of an album that was released in 1978

Margaret Singana -We Are Growing -12 inch Extended Remix

Margaret Singana -Hamba Bikhele

But that hit was to be her final bow and the woman affectionately dubbed ‘Lady Africa’ died largely forgotten in 2000 at the age of 63, crippled and bound to a wheelchair and in a financial situation unfitting a star appropriately.

Let her music and spirit live on.

Margaret Singana -When Will I Be Loved

Margaret Singana -Stand By Your Man

Margaret Singana -She Was A Dancer

sources; wikipedia and http://www.rock.co.za

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Soul Brothers & Sisters -Township Soul & Boogie vol 7; Mbaqanga

April 27, 2012

banner for performance by the Soul Brothers -9 April 2012 -Port Shepstone, South Africa

In my previous post Township Soul & Boogie vol 5; Soul Brothers & Sisters I have already recommended the music of the Soul Brothers and of course there is the authorative biography by  Steve Gordon  so  today I want to add some titles to my ever-growing collection of the mbaqanga sound which dominated South African urban music for over three decades.

The irresistible mix of percussive Hammond organ, quavering soul or the growling deep male voice against female sweet temptation, a scratchy guitar and steady dance rhythms are present in all of the selections.  ’Shweleza’ by The Queens being my favorite track here today. I ask myself what song is a favorite with you, dear reader?

Soul Brothers -Uthembeni Na?

Soul Brothers -Nomvula

Soul Brothers -Asibonisane

Danvy Masimini -Melamo

The Love Brothers -Niqondeni

The Queens -Shweleza

The Mellotone Sisters -Jabulami Bazali 

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Om’Khaoli -Magic Touch 1982 -Township Soul & Boogie Vol 6

February 7, 2012


 Alec “Om” Khaoli -bass

At the end of 1982 the original line-up of the South African band Harari disbanded. By the early eighties a number of musicians had joined and left the band. Most of these members pursued solo careers.

The disco-related track “You Are The One (Bambo Wangu)”  by Om’ Alec Khaoli, released in 1984 worldwide,  may be slightly familiar with lovers of electro and hi-nrg but today’s post shines a light on an album released earlier, in South Africa in 1982 ; ‘Magic Touch’,  a solo effort from the  former bass player  and founder member of Harari and Umoja.

The groove is definitely early 80′s, all synthesizers, vocoders, warm fender rhodes, guitars and of course fender bass.  An  all important groove is present on the six tracks on this album, Om’ Khaoli even sings on a few tracks while Masike Mohapi is responsible for the vocals on ‘Tonight’.  Stompie Manana plays the flugel horn and trumpet and Barney Rachabane brings  the alto saxophone to life in  ’Be My Wife’, one of the stronger tracks on this album.

Tracklisting 

side 1.1 -Number One

1.2 -Jog On

1.3 -Magic Touch

side 2.1 -Tonight

2.2 -Paradise

2.3 -Be My Wife

All songs composed, arranged and produced by Alec “Om” Khaoli.

Om’ Khaoli -Be My Wife

Om’ Khaoli -Number One

check this rare album by Om’Khaoli for sale  here 

see also my precious post the homebrew of Harari -Township Soul & Boogie pt 3

“Magic Touch” released by Gallo Records 1982 South Africa (GALLO ML4611)

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hey sista, go sista, soul sista -Township Soul & Boogie Vol 2

January 16, 2012

the new week starts with volume 2 of a previous post  hey sista, go sista, soul sista -Township Soul & Boogie.  African Disco & Boogie & Soulful grooves from female South African singers. Is there a better way to start the new working week?

Margaret Singana -Open Your Mind

In the 1950s Margaret Singana moved to Johannesburg, and soon started performing with The Symbols. In 1972 she made “Good Feelings” with the band. She became the first black artist to feature on the Radio 5 hit parade. Singana’s song “I Never Loved a Man the Way I Loved You” became a hit. In 1973, Singana was cast as the lead singer in the musical, Ipi Tombi, and soon made herself famous with the song “Mama Tembu’s Wedding”. She suffered from bad health for many years but, in 1986, she returned to sing “We Are Growing”, the theme song from the television series, Shaka Zulu.

Singana received many awards, including the 1976/1977 critics award from the British magazine, Music Week. She was known as “Lady Africa” in Southern Africa and passed away in 2000. The  single featured here today was released in 1975 and produced by Patrick Van Blerk, Allan Goldberg and Trevor Rabin.

Shaddiii-Pride Of Tomorrow

Desiree -You’ve Lost A Good Thing

Joy -Iza Nezembe

Joy -Jikel Emaweni Qonoqgothwane

Patricia Majalisa -Dzhengenzhe

this album came out in 1990 in South Africa when the bubblegum-style was popular. Bubblegum is a form of pure South African pop music that arose in the middle of the 1980′s, distinctively based on vocals with overlapping call-and-response vocals. Electronic keyboards and synthesizers were commonplace. Dan Tshanda of the band Splash was the first major bubblegum star, followed by Chicco Twala.

Dan Tshanda and Splash are synonymous with the name Patricia Majalisa. It’s that very combination that brought her to the limelight in 1988. Patricia was the electrifying backing voice who started the group Splash in Chiawelo, Soweto with Dan Tshanda and the other members of the group.

In the very beginning Patricia Majalisa sang in a group called ‘The Flying Sounds’ when ace producer,the late Hamilton Nzimande from Gallo Records listened to their demo tape and liked the demo. That culminated in their debut album ‘Mr Tony’ which although not a hit, made them realise their potential and the late Mr Nzimande did not give up on them. This made everyone see that the group had the potential to make it and that’s when Ray Phiri of Stimela give them the name ‘SPLASH’.
Her fifth album ‘DZHENGEZHE’ saw her graduate to double platinum status in South Africa.

Patricia Majalisa -Uwee

see more on Patricia Majalisa in my previous post hey sista, go sista, soul sista -Township Soul & Boogie

source http://www.music.org.za and wikipedia

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