The International Library of African Music (ILAM), based at Rhodes University in Grahamstown, South Africa, was founded by Hugh Tracey in 1954. ILAM’s collections of Hugh Tracey’s audio recordings, photographs and films are of great importance in preserving and keeping African musical heritage alive.
The Tracey Collection of African traditional musical instruments is housed at ILAM, as is an extensive collection of shellac 78 rpm discs. In addition to his extensive work researching and documenting the music of sub-Saharan Africa,Hugh Tracey advised Gallo, the biggest South African record company, on which records to release. Most of these selections came out on independent labels such as Gallotone, Hit, BB and New Sounds and included Zulu jive, Sotho vocal, accordion and violin jive – styles that were aimed at the burgeoning black market and helped to create a new black identity.
After two years of intensive collaboration with ILAM, Soul Safari proudly presents ‘Township Jive & Kwela Jazz (1940-1960)’, with many rare gems found in the ILAM archives. This compilation brings the dusty and sometimes forgotten original recordings back to life, truly music treasures from a long gone past.
But I wonder if there is enough interest for releasing these rare gems?? As CD format, download or a vinyl deluxe set? Let me know what you think, it’s appreciated.
See also previous my post Soul Safari presents Township Jive & Kwela Jazz (1940-1960) for the full track-listing.