Take the beat of Ghana’s traditional sound, add some American flavor, and mix it with Paa Kow’s stellar drumming chops. That is the musical recipe for a flavoursome sound, a “new” sound as Paa Kow (pronounced Pah – Ko) describes it. Whatever you call it, Paa Kow’s blend of traditional West African styles with American and Caribbean music surely is a highly danceable sound driven by intricate rhythms. After all, the man is known as a world-renowned percussionist, bandleader, composer and teacher born and raised in Ghana.
Due to its cosmopolitan geographic position on the African continent Ghana has always been a melting pot of many styles of traditional and modern music. The best known modern genre is Highlife until the introduction of Hiplife in the late 1990s. The originator of this style is Reggie Rockstone, a Ghanaian musician who dabbled with hip-hop in the United States before finding his unique style. Hiplife basically was hiphop in the Ghanaian local dialect backed by elements of the traditional High-life.
While living in Accra, Paa Kow had a chance meeting with a traveling student from CU Boulder (CO, USA) named Peyton Shuffield. He was looking for a highlife drummer to study with and, after talking with various Accra musicians, all roads led to Ghana’s best and youngest talent. The friendship was instantaneous and Paa Kow was invited to the University of Colorado as a guest artist and teacher.
His musical and cultural exchange with musicians in the U.S. gave rise to his Afro-Fusion sound. With his group, Paa Kow put together materials for his debut album “Hand Go Hand Come.” The material was an early masterpiece of rhythmic precision, talented lyricism, and original fusion of West African Pop with Jazz impressions.
Paa Kow is currently touring across America and will release his second studio album ´Ask’ in August of 2014.
“Fakye Me (Forgive Me)”
from his upcoming album Ask, out 8 /19!
See full information on tours, bio and more on Paa Kow Music
Inspired by his musical and cultural exchange with artists in the U.S., Paa Kow and his orchestra fuse traditional rhythms, time signatures, and the Fante language from Ghana with funk and jazz to create an Afro-Fusion sound set apart by its “flexibility and finesse” (Modern Ghana).