een 4 uur durende muziekspecial over Zuid Afrikaanse jazz, soul & funk door dj Eddy De Clercq & Frank Jochemsen. In dit programma gaat samensteller Eddy De Clercq terug naar de geschiedenis van jazz en de diverse invloeden van Nederland en Engeland in de muziek van Zuid Afrika. Vooral in Cape Jazz is dit duidelijk terug te horen maar ook in latere stijlen als township jive & kwela jazz zitten elementen welke Westers aandoen maar verweven worden met typische Zuid Afrikaanse melodieën en zang. Maar ook de excellente soul-jazz uit 1969 -een belangrijke periode in dit genre- komt aan bod, alsook de Mzansi House van 2014 naast enkele eigen producties van Eddy De Clercq & Friends, opgenomen in Zuid Afrika. Luister!
A 4 hour music special about South African music; jazz, soul & funk by dj Eddy De Clercq & Frank Jochemsen. Inthis program,compilerEddyDe Clercq dives deep intothe history of
South African jazz andthevarious influencesof the Netherlandsand England on the music ofthe country.Especially inCapeJazzthese influences are clear, butalsoin laterstylesastownshipjive&jazzkwelaWestern genres like R&B and jazz areinterwovenwith typicalSouthAfricanmelodiesandvocals. But also the excellentsoul-jazzof 1969–an important period in thisgenre-is discussed, as well as theMzansiHouse2014alongside someofEddyDe Clercq’s own productions, recorded in SouthAfrica.
The programme is presented in the Dutch language, but the music speaks for itself. Listen!
Vrije Geluiden Radio 6 20.00h-24.00h -26th July 2014-Theme: South Africa
Ah Glorious Summer! Now that the weather finally feels tropical here in Holland, it’s time go out and see some new African bands –and a few old favourites too- at the Afrikafestival in Hertme, Twente. Now in its 26th year
From 13:00 on Saturday 5th of July right through to 01:00 on Sunday 6th of July, there will be six groups playing. Three will be performing in the Netherlands for the first time and one of the groups will even be playing in Europe for the first time– a European debut!
The festival starts with Aziz Sahmaoui & University of Gnawa from Morocco. This group is often used to close the show at festivals, but in Hertme they will be the opening act. The Gnawa trance of Aziz will evolve into the heady trance of the BKO Quintet from Mali in which the hunters-ngoni from the Wassoulou area and the griot ngoni meet.
Singer Nancy Vieira from Cape Verde with her swinging ballads provides a haven of rest in the afternoon. They are one of the most promising new live bands in Ghana. This is their European debut – an exclusive for Hertme. Do not miss the chance to see this new exciting band performing for the first time outside Africa.
As night begins to fall, it will be time for Black Bazar. This group brings a mix of rumba and soukous from Congo. Next on stage will be Debademba from Burkina Faso/Mali. Both groups delivering us with an explosive dance party on this summer night.
Sunday 6th of July is the day of the big names.
At 12:00 o’clock the day kicks off with the magic and virtuoso guitar playing of Teta from Madagascar.
Mamar Kassey are an old acquaintance of Hertme having played there in 2008. Since then, they have become one of the top African bands.
The excellent Ethiopian Circus Debre Berhan will amaze you while Fendika provides explosive music and ‘shoulder-dance’.
The first African circus working with disabled and deaf people
The amazing Ethiopian Circus Debre Berhan was formed in 1998 in the town of the same name, three hours away from Addis. One can find circuses all around Ethiopia, in Addis Abeba and in various smaller towns. Although it’s not an old tradition in the country circus has a very important impact on communities, as they often mix stories about society (violence on women, HIV prevention, etc.) and more straightforward performances. The Circus is working with more than 100 acrobats, including children.
One of the important features in this circus, however, lies in the fact that it employs performers who have physical disabilities as well as those who are deaf. It is the first African circus working with disabled people. These performers, both those in the children’s act and the adult’s act, are extremely talented. Circus Debre Berhan’s shows open with the children’s beautiful and often very challenging acrobatics, followed by the adult act, which is staggering in its intricacy and difficulty. The performances are usually held in public spaces such as markets and main squares where possible in order to reach and entertain as many people as possible.
At the moment, Circus Debre Berhan is touring all over Ethiopia with its hundred or so performers split into small groups, to cover the vast countryside. If it continues its success, it will hopefully help change perceptions of disability and stigma.
Ferocious five-piece band with two phenomenal dancers
Fendika is a troupe of highly accomplished Azmari musicians and dancers. Founded in 2009 by Melaku Belay, a leading dancer, the ensemble is based at Melaku’s famous music club Fendika Azmari Bet in Addis Abeba. In Ethiopian culture, an Azmari bet is a traditional house of music where people come to be entertained, informed, and sometimes playfully insulted by the Azmari, who serve as current events commentators while they dance, sing, and play for tips.
Melaku is one of Ethiopia’s foremost dancers of the eskesta, a traditional Ethiopian trance dance of athletic shoulder movements. Growing up as a street kid, Melaku learned many regional dances of Ethiopia. He has travelled throughout Ethiopia to learn the dance traditions of the country’s 80 tribal groups. The musicians and dancers of Fendika present a cultural journey starting in the highlands of Tigray, Wollo, Gonder, and Gojam and so on.
Melaku Belay, dances;
Zinash Tsegaye, dance;
Misale Legesse, kobero (trad. drums);
Endris Hassen, masinko (one cord violin);
Nardos Tesfaw, vocals.
The biggest highlight of the 26th Africa Festival will be the historic reunion of Les Ambassadeurs. One of the members of this legendary group is Salif Keita. Together with his colleagues from the 1970’s, he will play the finest Malian music from that period.
Habib Koité hardly needs no further introduction. He closes the festival with his new band. It will also be the presentation of his new CD Soô.
Throughout the entire month of May Soul Safari will be listing field recordings, folk, private pressings, township jive & kwela jazz, African jazz, soul & boogie, mbanqaga,and much much more with absolutely no reserves.
Records that have been presented on these pages over the last five years are now on auction. So here is your change to grab some rare African vinyl as I am cleaning out my shelves to make room for new music.
Some highlights; a collection of ultra rare and seldom heard field recordings from ILAM, recorded by Hugh Tracey. These records were purchased many years ago directly from ILAM in South Africa from what was left of their unsold stock. All records come in their original cover with the labels attached to the back cover and are unplayed, in brand new mint condition.
More Soul Safari favs like great 45’s by jive kings The Soweto Boys, mbanqaga queens The Manzini Girls are now on auction.
Edi Niederlander is one of South Africa’s most respected and enduring artists. Her bluesy voice and superb playing of the acoustic and electric guitars made her reputation as an outstanding performer.
Edi’s first two albums -‘Ancient Dust’ (1985) and ‘Hear No Evil’ (1989) – are well known, admired, and a little rare. Some biographies start her career in the year 1985 but the following record that I post here today shows other dates, Edi Niederlander’s first recording was released as early as 1973.
Edi Niederlander -Brother John (1973)
Edi Niederlander -Dust Of Africa (1973)
Imagine Edi singing live to a receptive crowd of lovers of folk music back then. The place: Humerail Hall in Port Elizabeth, South Africa. The dates: 11th and 12th of May 1973. The FOLK ’73 festival was organised by the Four Winds Music Club and the crowd came from afar. Colourful alternative ‘free’ minds gathered to hear the finest crop of local South African white folk music. That year Edi Niederlander made her debut at the festival. The succes of the yearly gathering and the quality of the line-up guaranteed a successive series of events. Private vinyl pressings of the live recordings during the festival were released in limited editions of 500 copies, only in South Africa. Some included a handwritten info sheet. Rare and obscure records that are highly collectible nowadays. Hear the announcement by the MC at the introduction of the 1974 festival, the record has just been released and five copies are for sale!
FOLK 74 Introduction FESTIVAL
At the time of her performance Edi played an acoustic guitar and sang songs of strong political conviction as well as lyrics highlighting feminist issues.
The song ‘Ancient Dust of Africa’ became a ‘hit’ for Edi after being featured as a title theme for the film based on the Percy Fitzpatrick novel, ‘Jock of the Bushveld’.
After laying low for the whole of the ’90’s ‘ Edi released ‘Dreamland’, a joyful, jazz-flecked and diverse collection of Niederlander originals and a compelling, eclectic and consistently entertaining piece of work.
FOLK ’73 live @ 4 Winds Folk Club May 1974 S.AFRICA Bootleg Records -private pressing- BLP 103/104, South Africa 1973
includes ‘Brother Folk’ by Edi Niederlander -credited as Edi Nederlander
FOLK ’76 live @ 4 Winds Folk Club May 1974 S.AFRICA Bootleg Records -private pressing- BLP 103/104, South Africa 1976