Soul Safari Yuletide 2019 -Township Boogie Disco Mix

This year Soul Safari brings you a special Township Boogie & Disco Mix for the Yuletide season…most tracks were originally released as 45 rpm singles between 1979-1986. Some of the earliest examples of Boogie/Disco music from South Africa comes from Cape Jazz artist Mike Makhalemele (1979) and a gem by singer Kumasi (1982), along with long time favorites like The Hot Soul Singers, Street Kids, Ebony mixed with some real obscure goodies as well….Thandi Seoka, TSB and Thandi Bgonwe. One of the great Cape Jazz artists, Mike Makhalemele performs ‘Disco Freaks’, truly a 1979 Boogie/Disco holy grail from South Africa. Enjoy this mix as much as I loved selecting and mixing it. Happy Holidays!

Soul Safari Yuletide 2019 -Township Boogie Disco Mix

n Kersboodskappie van Vader Kristmis

Thandi Seoka -Social Gatherings

Thandi Seoka -On The Floor

Desiree -You’ve Lost A Good Thing

Bones Delight -From Guguletu To Soweto

Street Kids -Try Me (Game Nr. 2)

Kumasi -Anomakoliwa

Kumasi -What’s On Your Mind

Ebony -I Need Somebody

Sunset feat The Hot Soul Singers -She Looks Good

TSB (The Smash Band) -Payday (instrumental)

Thandi Mbongwe -Our Love (part 1)

Thandi Mbongwe -Our Love (part 2)

Starlite -Celebrate Our Love

Bones Delight -Everybody Needs A Holiday

Julian Laxton -Time Is Tight (A-Go-Go Mixx)

Disco 6 -Magic Flight

Mike Makhalemele -Disco Freaks

Zeebra -Balega

Soul Safari mix 4 The Raindance Project

people rise together when they believe in tomorrow

Soul Safari is proud to be part of the program for the Raindance Project on Saturday, September 14, 2019. As DJ I will be playing two sets with African music.

The Soul Safari mix 4 The Raindance Project mix was produced exclusively for the project as a taster of things to come…. this mix of 60 minutes contains some of my own tracks like a great remix of ‘Coral Reef’ sung in Xhosa, and a few of my own new tracks influenced by South Africa roots music. As well as a few favorite tunes by Black Motion, live recorded in The Boiler Room, Johannesburg.

Enjoy!

see also Poem For A Coral Reef by Yemu Matibe & Alungile Sixishe; Musique Exotique

The Raindance Project.
Dancing for a greener planet.

Party in the Vondelpark Amsterdam.

Three simultaneous and freely accessible events, in The Netherlands, Kenya and Tanzania. Music, dance, performing arts, education, comedy and science come together on one stage. The project is being launched in the Vondelpark Open Air Theater in Amsterdam, with the highlight being a live connection between the three events that everyone can follow.

Pamela Nkutha/Whoosha -the sound of ON Records 1987-1989

the sound of ON Records 1987-1989

South African synth-disco/bubblegum/electro-boogie

Catalog nr. Egoli 002-DISC 3

Soul Safari proudly presents a brand new release, as part of a series of 3 individual 12″ single releases. All original masters have been remastered and this limited edition is pressed on high quality dj-friendly vinyl. The vinyl and high quality downloads will be available from August 5th 2019, fully licensed. Distributed by Rush Hour

The ON label was active in South Africa between 1987-1992, an era in which the new sound of Young Black South Africa in the early 90s was defined.

The late 1980s in South Africa was an exciting time when disco mutated into what was becoming known as Bubblegum: dance music aimed at the black population of South Africa.

Bubblegum was a response to Western styles like disco and the fast spreading house music which originally came from the black ghettos of Chicago and New York. When the second Summer of Love took over the UK in 1988, first house, and other electronic music styles conquered South Africa as well. DIY – do it yourself – a motto that had already appeared in the punk movement, lifted the young local scene to the next level. With a minimal set up – keyboards, some drum machines and samplers it was suddenly possible to make music without having to rent expensive studios.

Whoosha released an album called “Mosquito” in 1987, which was produced by Julian Laxton, Ronnie Robot and the late Charles Sejeng who was the voice of the group. Two tracks of that album are featured on this compilation.

As the only female singer on this compilation Pamela Nkutha proves that her brand of bubblegum pop is never less than utterly fresh and original.

Catalog nr. Egoli 002-DISC 3

Release date; August 5th 2019, fully licensed. Distributed by Rush Hour

LISTEN TO MP3 HERE

EGOLI 002-DISC 3ARTISTTITLEtime TOTAL 
A1Whoosha Mosquito03:47 
A2Whoosha Nopaka05:1509:02
EGOLI 002 -DISC 3ARTISTTITLEtime TOTAL 
B1Pamela Nkutha Gambling04:28 
B2Pamela Nkutha Ano Tambura (Suffering)04:35   9.03

Mafika -the sound of ON Records 1987-1989

the sound of ON Records 1987-1989

South African synth-disco/bubblegum/electro-boogie

Catalog nr. Egoli 002-DISC 2

Soul Safari proudly presents a brand new release, as part of a series of 3 individual 12″ single releases. All original masters have been remastered and this limited edition is pressed on high quality dj-friendly vinyl. The vinyl and high quality downloads will be available from August 5th 2019, fully licensed. Distributed by Rush Hour

The ON label was active in South Africa between 1987-1992, an era in which the new sound of Young Black South Africa in the early 90s was defined.

The late 1980s in South Africa was an exciting time when disco mutated into what was becoming known as Bubblegum: dance music aimed at the black population of South Africa.

Bubblegum was a response to Western styles like disco and the fast spreading house music which originally came from the black ghettos of Chicago and New York. When the second Summer of Love took over the UK in 1988, first house, and other electronic music styles conquered South Africa as well. DIY – do it yourself – a motto that had already appeared in the punk movement, lifted the young local scene to the next level. With a minimal set up – keyboards, some drum machines and samplers it was suddenly possible to make music without having to rent expensive studios.

Another star of the ON Record stable, Mafika Shabalala set himself apart from the rest with his lyrical skills, sung over the homegrown dance rhythms that soon gave rise to kwaito and later bubblegum.

Catalog nr. Egoli 002-DISC 2

Release date; August 5th 2019, fully licensed. Distributed by Rush Hour

LISTEN TO MP3 HERE

EGOLI 002-DISC 2ARTISTTITLEtime TOTAL 
A1MafikaRoadblock  05:35 
A2MafikaRoadblock (Taxi Mix)05:2511:00
EGOLI 002 -DISC 2ARTISTTITLEtime TOTAL 
B1MafikaSbarara04:47 
B2MafikaBlack Jack04:01 
B3MafikaLalavuka04:2513:13

The Bees/Little Big Man -the sound of ON Records 1987-1989

the sound of ON Records 1987-1989

South African synth-disco/bubblegum/electro-boogie

Catalog nr. Egoli 002-DISC 1

Soul Safari proudly presents a brand new release, as part of a series of 3 individual 12″ single releases. All original masters have been remastered and this limited edition is pressed on high quality dj-friendly vinyl. The vinyl and high quality downloads will be available from August 5th 2019. Fully licensed. Distributed by Rush Hour

The ON label was active in South Africa between 1987-1992, an era in which the new sound of Young Black South Africa in the early 90s was defined.

The late 1980s in South Africa was an exciting time when disco mutated into what was becoming known as Bubblegum: dance music aimed at the black population of South Africa.

Bubblegum was a response to Western styles like disco and the fast spreading house music which originally came from the black ghettos of Chicago and New York. When the second Summer of Love took over the UK in 1988, first house, and other electronic music styles conquered South Africa as well. DIY – do it yourself – a motto that had already appeared in the punk movement, lifted the young local scene to the next level. With a minimal set up – keyboards, some drum machines and samplers it was suddenly possible to make music without having to rent expensive studios.

The Bees

The Bees are probably the best known group, releasing only a few albums in 1988-1989 and a handful singles  that are now collectible. Their sound is electronic, hypnotic and highly danceable.

Little Big Man

Themba Wawelela is a prolific South African artist/producer who is best known under the monniker ‘Little Big Man’.

Release date; August 5th 2019, fully licensed. All rights reserved.

distributed by Rush Hour

LISTEN TO MP3 HERE

EGOLI 002-DISC 1 ARTISTTITLEtime TOTAL 
A1The Bees Mjondolo (Bus House)05:22 
A2The Bees She’s A Witch (Tikoloshi)05:1910:41
EGOLI 002-DISC 1ARTISTTITLEtime  
B1Little Big ManDon’t Do It04:51 
B2Little Big ManLeribe04:0008:51

Vuyani Dance Company at Holland Festival 22 June 2019

my DJ set during the Holland Festival Listening Party on 22 June 2019 was originally planned as a performance to promote South African music with sound and vision, not as the usual dance party. It eventually became a real dance party thanks to the South African Vuyani Dance Company who joined the Listening Party and showed their masterful moves to the surprised crowd! Their unexpected performance was a beautiful gift! And it made the Dutch audience switch from listening to dancing. Really a nice festive closing of the Listening Party!! Thanks Gregory Maqoma’s Vuyani Dance Theater and all the people who made the Holland Festival possible.

Bongi Makeba

Bongi Makeba (20 December 1950 – 1985) was a South African singer/songwriter. She was the only child of singer Miriam Makeba with her first husband, James Kubay.

Makeba was born in South Africa. She recorded only one solo album, ‘Blow On Wind’ (pläne-records) before she died after a traumatic miscarriage in 1985. She was buried in Conakry, Guinea. Some of her songs could be heard years later in her mother’s repertoire. See and hear mother and daughter together on stage at the North Sea Jazz Festival 1980.

Bongi Makeba ‎– Blow On Wind (pläne ‎– 88234) released in 1980 -her only solo album produced in Germany by Conny Plank.

Bongi Makeba -Sikhumbula (Liberation)

Bongi Makeba -Kilimanjaro

Miriam Makeba left South Africa in 1959, after landing a lead role in the jazz musical King Kong, a tragic story about a boxer, Ezekiel “King Kong” Dlamini. After moving to the US, Bongi started a singing career with Judy White, the daughter of blues singer Josh White. The duo released a few singles in 1967 on American labels under the name Bongi & Judy. Although written and produced by some of the then big names, Bert Keyes and Ashford & Simpson, both singles did not stir up big waves.

 

With her American husband, Nelson Lee, she made two 7″ records
in the early to mid-1970s that were more successful. “Bongi and Nelson” features two soul tracks arranged by George Butcher: “That’s the Kind of Love” and “I Was So Glad” (France: Syliphone SYL 533) & “Everything For My Love” and “Do You Remember Malcom ” (France: Syliphone SYL 532).

see also my previous posts on Miriam Makeba 

African Jazz & Variety -Alfred Herbert 1952

South African Soul Divas pt 1-Miriam Makeba

King Kong, the first All African Jazz Opera 1956

South African Soul Divas Pt 4 -The Skylarks