SA boogie/disco/Mbaqanga & some rare jazz

 

the-toppers-ngixolele-label

 

vungu-vungu-yini-themba

the-special-5-isondo-liyadilaya

the-pedlars-at-the-club

the-big-six-you-have-got-to-be-straight

the-big-six-ngoaneso

tou-nontsiki-label

tou-imini-label

the-toppers-akukho-label

the-special-5-isondo-liyadilaya

the-special-5-indoda

the-blue-revues-spook-mahala

sophie-mcgina-thabo

mike-makhalemele-15th-ave

lujo-zip-up-your-boots

lujo-that-somebody

lionel-pillay-plum-label

lionel-pillay-cherry-label

izinkanyezi-label-b

izinkanyezi-label-a

and a few rare field recordings as well….

AFRICAN SANCTUS – For African tapes, choir, operatic soprano, light soprano, shouter, African drummer, rock drummers, two percussion, electric guitar, bass guitar, piano, and Hammond M.100 organ.

amankentshane-mtaka-mtimande

abathokozisi-somandla

abathokozisi-maskihonze-kumdali

a-h-c-in-zion-thina

abakhwenyana-inkunzemnyama

abafana-beishingishane-nomoya

futuru-dont-hold-back

futura-feelin-hot 

rare recording of an actual auction of tobacco in Southern Rhodesia (now Zimbabwe). Published by Tobacco Auctions Limited, Salisbury, Southern Rhodesia

bob-cage-tobacco-chant-label-a

Serge Franklin ‎– Pour Recevoir Vos Amis Comme À Ouagadougou, Afrique 1975

serge franklin -ouagadougou, afriqua LP cover

Serge Franklin  ‎– Pour Recevoir Vos Amis Comme À Ouagadougou, Afrique 1975

Pathé Marconi EMI ‎– 2 C 062 11568 (1975)
Series: Exotissimo – Vol. 8

Les Griots -Liwa Wetche

Les Griots -Danse Du Fleuve

Les Griots -Morgen

Les Griots -Kio Kio

Les Griots -Danse Des Filles Du Sable

Sad news came last friday when Ouagadougou was the centre of terrorists attacks claimed by an African branch of Al Qaeda. The hostage crisis ended in The Splendid Hotel with a total of 27 deaths.

In better times Burkina Faso was known as a relatively peaceful country.
The predominantly Muslim country located in the West African region is affected more often recently by the violence of jihadist militias. But previously the country remained relatively spared from jihadist violence, unlike neighboring countries like Mali and Niger.

It comes as no surprise to know that many French artists in the 60s and 70s went to Burkina Faso to perform or record music with local artists. Like Serge Franklin whose  artistic itinerary starts in France in the 60s as an author-songwriter when he published several 45s under his own name. The singer quickly became a studio musician as a sitar player and accompanied singers like Gilles Vigneault and Georges Moustaki at the Bobino theater in Paris, respectively in 1966 and 1969.

In 1971 Serge Franklin traveled to India where he perfected his skills on sitar under the pseudonym Adjenar Sidhar Khan. As a lover of primitive stringed instruments, Franklin recorded a rather remarkable album in Ouagadougou, featuring mainly local instruments like the cora, balafon, zanza and the bow.

The album contains a beautiful version of ‘Licha Wetche’,  a traditional song that was popular with many artists. See also the Bleached Zulu
“Pour Recevoir Vos Amis Comme À Ouagadougou, Afrique” by Les Griots was released in France as part of the series Exotissiomo in 1975. It is a collection of traditional songs, field recordings and newly written material by Serge Franklin, performed by local musicians.

 

 

Go See Afrika Festival. Hertme Twente 5-6th July 2014

 

IMG_0911-19cebf2845 IMG_2749-c9487e2603

Ah Glorious Summer! Now that the weather finally feels tropical here in Holland, it’s time go out and see some new African bands –and a few old favourites too-  at the Afrikafestival in Hertme, Twente. Now in its 26th year

 From 13:00 on Saturday 5th of July right through to 01:00 on Sunday 6th of July, there will be six groups playing. Three will be performing in the Netherlands for the first time and one of the groups will even be playing in Europe for the first time– a European debut!

 The festival starts with Aziz Sahmaoui & University of Gnawa from Morocco. This group is often used to close the show at festivals, but in Hertme they will be the opening act. The Gnawa trance of Aziz will evolve into the heady trance of the BKO Quintet from Mali in which the hunters-ngoni from the Wassoulou area and the griot ngoni meet.

Singer Nancy Vieira from Cape Verde with her swinging ballads provides a haven of rest in the afternoon. They are one of the most promising new live bands in Ghana. This is their European debut – an exclusive for Hertme. Do not miss the chance to see this new exciting band performing for the first time outside Africa.

As night begins to fall, it will be time for Black Bazar. This group brings a mix of rumba and soukous from Congo. Next on stage will be Debademba from Burkina Faso/Mali. Both groups delivering us with an explosive dance party on this summer night.

Sunday 6th of July is the day of the big names.

At 12:00 o’clock the day kicks off with the magic and virtuoso guitar playing of Teta from Madagascar.

Mamar Kassey are an old acquaintance of Hertme having played there in 2008. Since then, they  have become one of the top African bands.

Yacouba Moumouni -Mamar Kassey photograph by Daniel Cohen
Yacouba Moumouni -Mamar Kassey
photograph by Daniel Cohen

The excellent Ethiopian Circus Debre Berhan will amaze you while Fendika provides explosive music and ‘shoulder-dance’.

habtanesh circus derbere behan by Andy Moor
hisak & ashenafi circus derbere behan by Andy Moor.

The first African circus working with disabled and deaf people

The amazing Ethiopian Circus Debre Berhan was formed in 1998 in the town of the same name, three hours away from Addis. One can find circuses all around Ethiopia, in Addis Abeba and in various smaller towns. Although it’s not an old tradition in the country circus has a very important impact on communities, as they often mix stories about society (violence on women, HIV prevention, etc.) and more straightforward performances. The Circus is working with more than 100 acrobats, including children.

One of the important features in this circus, however, lies in the fact that it employs performers who have physical disabilities as well as those who are deaf. It is the first African circus working with disabled people. These performers, both those in the children’s act and the adult’s act, are extremely talented. Circus Debre Berhan’s shows open with the children’s beautiful and often very challenging acrobatics, followed by the adult act, which is staggering in its intricacy and difficulty. The performances are usually held in public spaces such as markets and main squares where possible in order to reach and entertain as many people as possible.

At the moment, Circus Debre Berhan is touring all over Ethiopia with its hundred or so performers split into small groups, to cover the vast countryside. If it continues its success, it will hopefully help change perceptions of disability and stigma.

melaku &zenash -fendika by Andy Moor
melaku & zenash -fendika by Andy Moor

 

nardos - fendika by Andy Moor
nardos – fendika by Andy Moor

  Fendika (Ethiopia)

Ferocious five-piece band with two phenomenal dancers

 

Fendika is a troupe of highly accomplished Azmari musicians and dancers. Founded in 2009 by Melaku Belay, a leading dancer, the ensemble is based at Melaku’s famous music club Fendika Azmari Bet in Addis Abeba. In Ethiopian culture, an Azmari bet is a traditional house of music where people come to be entertained, informed, and sometimes playfully insulted by the Azmari, who serve as current events commentators while they dance, sing, and play for tips.

Melaku is one of Ethiopia’s foremost dancers of the eskesta, a traditional Ethiopian trance dance of athletic shoulder movements. Growing up as a street kid, Melaku learned many regional dances of Ethiopia. He has travelled throughout Ethiopia to learn the dance traditions of the country’s 80 tribal groups. The musicians and dancers of Fendika present a cultural journey starting in the highlands of Tigray, Wollo, Gonder, and Gojam and so on.

 

Melaku Belay, dances;

Zinash Tsegaye, dance;

Misale Legesse, kobero (trad. drums);

Endris Hassen, masinko (one cord violin);

Nardos Tesfaw, vocals.

 

The biggest highlight of the 26th Africa Festival will be the historic reunion of Les Ambassadeurs. One of the members of this legendary group is Salif Keita. Together with his colleagues from the 1970’s, he will play the finest Malian music from that period.

Habib Koité hardly needs no further introduction. He closes the festival with his new band. It will also be the presentation of his new CD Soô.

listen to some live recordings of previous editions of the Afrika festival in Hertme, Twente

Soul Safari ebay auction

Greetings fellow music lovers, Soul Safari’s eBay auction starts today with new additions weekly.

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Throughout the entire month of May Soul Safari will be listing field recordings, folk, private pressings, township jive & kwela jazz, African jazz, soul & boogie, mbanqaga,and much much more with absolutely no reserves.

Records that have been presented on these pages over the last five years are now on auction. So here  is your change to grab some rare African vinyl  as I am cleaning out my shelves to make room for new music.

 

Soul Safari's ebay auction
Soul Safari’s ebay auction

 

Soul Safari's eBay auction
Soul Safari’s eBay auction

Some highlights; a collection of ultra rare and seldom heard field recordings from ILAM, recorded by Hugh Tracey. These records were purchased many years ago directly from ILAM in South Africa from what was left of their unsold stock. All records come in their original cover with the labels attached to the back cover and are unplayed, in brand new mint condition.

More  Soul Safari favs like great 45’s by jive kings The Soweto Boys, mbanqaga queens The Manzini Girls  are now on auction.

Soul Safari's eBay auction
Soul Safari’s eBay auction

See Soul Safari’s eBay auction starting today.

Thanks  for your support and best of luck, happy bidding!

Ephat Mujuru‎–The Spirit Of The People. Mbira music from Zimbabwe

Now that the new year lays ahead like a blank canvas, I find inspiration in a record by Ephat Mujuru, a Zimbabwean musician who excelled at playing the mbira. Nobody knows what 2014 will bring, but let this music guide the listener like a traveler on a long journey.

see also Stella Chiweshe -Zimbabwe’s Queen of the Mbira

Ephat Mujuru (1950–2001), was a Zimbabwean musician, one of the 20th century’s finest players of the mbira, a traditional instrument of the Shona ethnic group of Zimbabwe.

ephat mujuru plays the mbira
Ephat Mujuru plays the mbira dzavadzumi within the calabash resonator

The mbira dzavadzimu (the mbira of ancestral spirits) is a symbol of the traditional culture of Zimbabwe. The music of the mbira forms a link between the real and the spirit worlds, and the mbira player holds an important position within traditional society, being called upon through his music at ceremonies to evoke the particular spirit or ‘Sviriko’ to be called.

Ephat Mujuru came from a renowned mbira-playing family which can be traced back to the time of Monomatapa. Through playing at the family’s ‘bira’spirit ceremonies, the young Ephat was initiated into the secrets of the instrument by his grandfather, Sekuru Muchatera Mujuru, a great mbira player whom he wished as a boy to emulate. He tells of the conflict he found at school, where the mission teaching at the time denounced music as being a sin against God. This did not stop him from playing the music of his poeple, given by the great creator God Mwari, as a means of communicating with Him through ancestrial spirits.

Ephat Mujuru was a quiet, poetic man whose understanding and love of the music he played is matched only by his ability as a musician. His reputation was such that he was invited in 1980 for a lecture tour of the United States where he gave lectures/demonstrations at many of America’s leading universities.

The influence of mission school education and Western musical idiom had a negative effect for some time on traditional music, but in recent years this has given way to a renaissance of the mbira and its value as a link with the ancestry and culture of the Shona people.

The pieces posted here today are played on the mbira dzavadzimu (or in some instances the njari mbira) are accompanied by a second mbira, rattles (hosho), drums (ngoma), clapping (makwa) and singing (kuimba). The voice patterns are as important as the music and are divided into the mahongera, the deep, low voice; the huro, the high, yodelling voice; the kupurudza, the ululating voice (a woman’s part) and the kudeketera , the poetic narrative.

Both player and singer may intuitively modify music or lyrics and the interpretation of the traditional song may vary amongst musicians, but the ancient version known to all players will still be recognisable.

The leading vocalist of the group is Charles Gushungo whose exceptional voice and command of all three traditional song patterns is widely acknowledged and evidenced here.

ephat mujuru ensemble cover

Chipembere (Dzavadzimu)

This song tells the story of Chipembere, the rhinoceros, feared for his powerful turn of speed. It is sung for a traveller embarking on a long journey, and the music imparts to him the speed and strength of the rhino, that he may accomplish his journey with ease.

 

Marenje (Dzavadzimu)

A travelling song, sung whilst journeying across the desert. The words and music strengthen the traveller’s spirit, giving him the courage needed for his long journey.

ephat mujuru ensemble
Ephat Mujuru and his group ‘The Spirit of the People’

Guru Uswa (Dzavadzimu)

The eternal myth of paradise, as old as man himself, is retold here in the song Guru Uswa. It tells the story of the Africa of mythical times, a land of milk and honey, yet at the same time it sings of Zimbabwe, the realisation of the promised land.

Ndoziwa Ripi (Dzavadzimu)

A story of misfortune and the power of the music of the spirits to intervene. A man wanders lost and alone, calling out “Ndoziwa Ripi- what shall I do? My family is dead and I am alone”. As he wanders he plays a plaintive song on his mbira. The chapungu eagle, bird of the spirits, appears in the sky and guides him to a settlement of people. Hearing the notes of the mbira, the people welcome him with singing and dancing. He is accepted into their community and revered for his ability to play the mbira.

ephat mujuru ensemble cover back

text from the liner notes of The Spirit of the People -Ephat Mujuru Ensemble plays Mbira music from Zimbabwe 

Maske by Phyllis Galembo -Makishi & Lakishi masquerades & more

see also even more African tribal dances; Shangaan & Makishi dancers & singers

Maske Phyllis Galembo -cover
Maske Phyllis Galembo -cover

one of the most fascinating books about African masks that I own must be ‘Maske’ by Phyllis Galembo,  a professor of Art at the State University of New York whose pictures are frequently exhibited in museums around the world. Her work is also collected by all major institutions such as the Library of Congress in Washington DC, the MOMA in NYC etc.

Galembo’s previous books include “Divine Inspiration; From Benin to Bahia” (1993), ‘Vodou, Visions and Voices from Haiti “(1998) and” Dressed for Thrills, 100 Years of Halloween Costumes and Masquerades “(2002). From Zambia, Nigeria, Ghana, Sierra Leone, Benin to Haiti “Maske”(2010) showcases the most beautiful photographs of masquerades from Africa and its diaspora. A well recommended photobook!

Maske Phyllis Galembo -Chileya (wise male ancestor) Likishi Masquerade, Kaoma, Zambia 2007
Maske Phyllis Galembo -Chileya (wise male ancestor) Likishi Masquerade, Kaoma, Zambia 2007
Maske Phyllis Galembo -KaJet (Airplane) Likishi Masquerade, Kaoma, Zambia 2007
Maske Phyllis Galembo -Kambulo and Kapada (they start the dance) -Makishi Masquerade, Kaoma,Zambia 2007
Maske Phyllis Galembo -Kambulo and Kapada (they start the dance) -Makishi Masquerade, Kaoma, Zambia 2007
Maske Phyllis Galembo -Kanjelela - Zambia 2007
Maske Phyllis Galembo -Kanjelela (the biggest one) – Likishi Masquerade, Kaoma, Zambia 2007

For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and the African diaspora. Her subjects are participants in masquerade events-traditional African ceremonies and contemporary fancy dress and carnival-who use costume, body paint and masks to create mythic characters . Sometimes entertaining and humorous, or dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Kreyòl word ‘maské’, meaning ‘to wear a mask’, this album features a selection of over a hundred of the best of Galembo’s masquerade photographs to date. Organised country-based chapters, each with her own commentary.

Introduction by Chika Okeke-Agulu

First published 2010 by Chris Boot

ISBN 978-1-905712-17-5

for more information visit http://www.chrisboot.com

this post includes text from the original liner notes and pictures from the book

Welcome to Jozi, house capital of the world

view from plane -feb 13-gecompthe past few weeks I spent some hectic time in South Africa, hence my absence from these pages. No time to write, just soo busy travelling, meeting exciting people and partying on Valentine’s Day in Jo’burg. That was followed by a fatal morning when the newspapers announced the murder of Reeva Steenkamp, the girlfriend of Oscar Pistorius. Talk of the day and on the front pages for the rest of my journey in South Africa. Thankfully there was more fun and excitement to fill my days and nights; looking for rare records and the sound of Johannesburg!

It was in the streets of hip Melville that I witnessed some of the most exciting new hybrid of house music, coming out of shops and boomboxes of passing cars. So as a fresh post here today, I report on the house scene of Johannesburg, a city also called Jozi by its loving citizens.

truth presents detaill

 “People making house music in shacks in townships, it’s everywhere, on the radio, tv and media”

ELECTRAFRIQUE NAIROBI
in association with KALAWA JAZMEE
is delighted to invite you to

BLACK MOTION LIVE @ ELECTRAFRIQUE NAIROBI
Talking To The Drums

Venue: The TreeHouse Club,Museum Hill Westlands
Date: Friday 15th February 2013
From: 9pm – 5 am

Entry: Ksh 1,000
(Advanced tickets information to follow shortly)

Age: +21


Join the movement and witness the marriage between Native and Contemporary Instruments.

The ELECTRAFRIQUE family, is a worldwide network of Artistes & Deejays fusing African and Electronic sounds.

Music Policy:
AFRO HOUSE | DEEP HOUSE | SOULFUL HOUSE | TRIBAL HOUSE | TECH HOUSE|AFRICAN SOUL |FUNK|DISCO|NU DISCO|COUPE DE CALLE |KUDURO

More details:
https://www.facebook.com/pages/Black-Motion/161467293908113?fref=ts

Robert aka Dj Murder lives in a homemade overthrow of corrugated iron. He is sleeping between his greatest asset, a battery of computers and keyboard types.

With his buddy Thabo ‘Smol’ Mabogevane he forms the duo Black Motion, one of the new young house-sensations in Johannesburg. 2011 and 2012 was big time for the duo as they headlined concerts all over the world in places like Miami, Canada, United Kingdom etc. Through a mutual relationship the boys have been offered to create music in a professional studio but they choose for the impromptu studio in the shack – ‘home is where the heart is’. Black Motion is one of the acts which is showcased in Real Scenes: Johannesburg, a recent short documentary about the thriving house scene of South Africa’s capital.

black motion in studio
Black Motion

In one of the scenes the boys can be found hunched over the illuminated displays, while a monotonous drumbeat fills the space, synths vibrate into a warm flow and their bodies rhythmically pan on the hypnotic groove. Their sound is based on that of pioneer-dj Oskido who discovered Black Motion in 2010. Ricardo Da Costa of Soul Candi Records defines the genre as a slowed down version of the original American house music but with even deeper basses and more complex rhythms, interwoven with a spirituality which is inspired by traditional drumpatterns of the African ancestors.

black coffee in studio
Black Coffee

The classical trained musician Black Coffee is perhaps the most famous South African dj of the moment. He is seen as someone who passes the positive message of house as a true ‘griot’. In Africa, griots are known to pass the history and culture of a certain tribe through music and song. His albums are good for gold. The man conquers the country with a full symphonic orchestra during megaconcerts where those by Madonna fade. Black Coffee is at present travelling the world giving European and American tours.

Through the success of Black Motion  and other young and established acts, black boys in cities such as Johannesburg today dream of becoming the next famous dj and producer of hits. Black Coffee, Black Motion, Culoe De Song, Mash-O (the Drum herbalist) and white wunderboy Ralf Gum are just a few names of a new generation in Johannesburg that dreams aloud about house music as a way out of the townships. The prevailing sentiment is that house music can create a better future for everyone in South Africa. Hope rises on the horizon. DJ Black Coffee’s latest album is applicable called ‘Africa Rising’.

black coffee coverblack coffee coverblack coffee cover

Top 5 -Jozi House

1. Black Motion – Aquarian Drums -(album CD -Kalawa Jazmee Dance 2012)

2.Ralf Gum – Linda featuring Oluhle (album track from CD ‘Never Leaves You’ -Gogo Music/House Afrika 2012)

3. Black Coffee -Africa Rising (Deluxe Album CD -Soulistic/Risa 2012)

4. Mash-O (Drum Herbalist) -Ishikhalo Shenhliziyo featuring Oluhle (album track from CD ‘Mash-O (Drum Herbalist)’ -Herbal Records 2012)

5. Culoe De Song -A Giant Leap (Album CD-Soulistic/Risa 2012)