LISTEN….I was invited as guest dj for the 2nd hour of the program BROKERS on Belgian radio station The Word. These nice guys gave me carte blanche for a selection of personal favorite tunes….thanks Oswald Moris for the great introduction and your seamless selection of timeless disco/boogie/electro tunes. LOVE!!
All records in the 2nd hour of the BROKERS show from my own collection, vinyl only!! Listen to this mix filled with ultra rare South-African, Nigerian, Liberian & Brazilian grooves. Some really funky Disco rarities too. And to top it off the 2nd hour closes with a previously unreleased remix of one of my own productions; ‘Changes’ with Sylvia Kristel (RIP), a mellow sexy funky mix by Zuco 102. Yes, that is the Brazilian band Zuco103 minus 1. This remix is yet to be released. All vinyl, all good! Make sure to check my blog on Africa, ‘Soul Safari’: https://soulsafari.wordpress.com/
tracklist 2nd Hour The Word Brokers -EDDY DE CLERCQ
The Drive – Iphi Intombi Yam pts 1 + 2 The Jazz Clan – Oh Happy Day Salah Ragab – Egypt Strut Kindred Spirit & Corina Flamma Sherman – Inner Languages Kindred Spirit & Corina Flamma Sherman – Put Your Spirit Up Luisito Quintero feat. Francis Mbappe – Gbagada, Gbagada, Gbogodo, Gbogodo (Roots Mute Mix) Ray Munnings – Funky Nassau Freddi Hench & The Soulsetters – I Like Funky Music Chocolate Milk – Who’s Getting It Now Tom Scott and the L.A. Express – Jump Back Jackie Moore – Heart Be Still Patti & The Emblems – It’s The Little Things Patrick Moraz – Rana Batucada EDC & Friends feat. Sylvia Kristel – Changes (Zuco 102 Mix)
Listen here to the full 2 hours Brokers show with the first hour by resident dj Oswald Moris, followed by my own mix of ultra rare South-African, Nigerian, Liberian & Brazilian grooves. Some really funky Disco rarities too….enjoy!
my best festival experience this year definitely was in South Africa in the city of East London, nowadays called Buffalo City, during the first big Maskandi festival on 2nd March 19….what an amazing pow wow of tribes! Ngiyabonga!
The program was spread over the whole day, from noon till midnight so I only had the change to witness only a few artists and dance groups….here is my impression of that magical day.
next saturday I will be travelling to East London, nowadays called Buffalo City, in the Eastern Cape province for the first big Maskandi festival in that era.
Maskanda or Maskandi is a Zulu folk kind of music, which has evolved and has become big in South Africa. Maskandi music is largely popular and mostly consumed in the Kwa-Zulu Natal province, given its rich Zulu heritage and significance to the Zulu tribe. In popularity Maskandi is the 2nd top selling genre in South Africa, after Gospel music.
In Durban the genre is called ‘‘the music played by the man on the move, the modern minstrel, today’s troubadour.” It is the music of the man walking the long miles to a bride or to meet with his chief; a means of transport. Maskandi music tells us of many stories of society, about one’s view of life and personal experiences. This style of music is distinguished by an instrumental flourish (izihlabo) that sets the tone at the beginning of each song, in a picked guitar style and rapidly spoken section of Zulu praise poetry, called “izibongo“.
The content is not always praise, though, and with pop, house and other influences Maskandi it has become more about the story telling ethic and the modern migrant culture, than simply about the musical style.
It is the music of the man who sings of his real life experiences, his daily joys and sorrows, his observations of the world. It’s the music of the man who’s got the Zulu blues.”
This Saturday Zulu troubadour Phuzekhemisi is among the best-known practitioners of the Maskandi genre on stage. Other legendary performers are Mpatheni Khumalo and Bheki Ngcobo a.o.
National performers expected to perform include Phuzekhemisi, Khuzani, Mbuzeni, Amawele ka Mamtshawe, Nkunzemdaka, Shushubaby and Ntombethongo.
They will be performing alongside local Maskandi groups, Lumanyano cultural group, Sivuyile traditional dancers, 4×4 dancers, Ichawne Lebhaca and Gadla Nxumalo.
Also on the program is gospel music and dj’s like Naak-Musiq, Butho Vuthela, dj Welo, Blomzit, Mjazz, Yoba and many more.
The festival is scheduled to start at 9 AM. Check tickets and prices at Computicket.
Maskandi Festival 2019
2 Mar – 3 Mar 2019 08:00 AM – 12:00 AM
Buffalo City Stadium
Arcadia, East London, Eastern Cape, South Africa.
the dance performance Via Kanana by Via Katlehong / Gregory Maqoma premiered during the Dutch Festival Julidans 2018. The performance is African dance with a sombre message and a touch of hope.
Soweto-born Gregory Vuyani Maqoma took up dance in the late 1980s as a refuge from the political tensions in the township, and quickly began excelling. He embarked on his formal dance training at Moving Into Dance Mophatong in 1990 where, in 2002, he would return to serve a five-year stint as associate artistic director.
Today, Maqoma is an internationally renowned dancer, choreographer, teacher, director and scriptwriter. He has also distinguished himself for his artistic collaborations, including working with British-based choreographer Akram Khan and the London Sinfonietta, as well as South African fashion designer David Tlale, singer-songwriter Simphiwe Dana and theatre maker Brett Bailey.
Still to be seen: march 2019 in Kerkrade, Breda, Groningen, The Hague, the Netherlands during Festival Explore.
“Cion” another choreography by Gregory Maqoma will be part of the Holland Festival in June 2019.
Cion requiem of Ravel’s Bolero
Gregory Maqoma; in this work, I am drawn to Zakes Mda’s character “Toloki” the professional mourner from his beloved Ways of Dying as he further uncovers in his book Cion the story of the runaway slaves. In my interpretation, Toloki rediscovers death in a modern context, inspired by the universal events that lead to death, not as a natural phenomenon but by decisions of others over the other. We mourn the death by creating death. The universe of greed, power; religion has led us to be professional mourners who transform the horror of death and the pain of mourning into a narrative that questions what seems to be normalised and far more brutal in how we experience death and immigration. I am creating this work as a lament, a requiem required to awaken apart of us, the connection to the departed souls.
The first offering under the title “Requiem Request” was first presented at William Kentridge’s The Centre for the Less Good Idea where the idea of interrogating the music of Ravel’s Boléro using South African voices as a musical device to create a score.
From Saturday 5 January 2019, the second edition of Old Root New Routes will start with a festive New Year’s Concert in Amsterdam in the Amstel Church by Karima el Fillali with members of the Amsterdam Andalusian Orchestra.
This second edition of Old Roots New Routes again offers space for a new ‘underground’ with a series of concerts of remarkable semi-acoustic music companies. They are rooted in Africa, the Maghreb, the Middle East and South America and have blossomed in the Dutch clay in recent years.
Tamala, one of the performing groups blends Senegalese musical heritage with Western modern influences. Surely one of my favorites, a concert not to miss….
Tamala Travelers between North and South
Barely one year old the group Tamala won two prestigious prizes for their debut album plus a performance at the famous British WOMAD Festival. The passionate trio brings an innovative repertoire, which propagates the Senegalese musical heritage and feeds on the eclectic input of Mola Sylla, Bao Sissoko and Wouter Vandenabeele. The texts of Tamala (‘traveler’ in Mandinka) are about personal questions, poetic journeys and a call to openness to others and respect for the environment. Tamala takes you on a journey where the sounds of violin and kora merge, and where Sylla’s voice is the guide that reveals the deepest of the soul.
GROUNDBREAKING SOUTH AFRICAN MUSICAL ‘KING KONG’ TO DEBUT ON CD‘King Kong’ – Original London Cast Recording to be released on September 28th 2018
Stage Door Records is pleased to announce the debut CD release of ‘King Kong’, the groundbreaking South African Jazz Musical. The Original 1961 London Cast Album of ‘King Kong’ will be released on September 28th 2018.
‘King Kong’was a pioneering South African musical which portrayed the life and times of the heavyweight boxer, Ezekiel Dlamini, known as “King Kong”. Born in 1921, after a meteoric boxing rise, his life degenerated into drunkenness and gang violence. He knifed his girlfriend, asked for the death sentence during his trial and instead was sentenced to 14 years hard labour. He was found drowned in 1957 and it was believed his death was suicide. He was 36. Billed as a ‘Jazz-Opera’, ‘King Kong’ featured music by Todd Matshikiza and lyrics by Pat Williams. The production was first staged at Johannesburg’s Witwatersrand University Great Hall, opening on February 2nd 1959 and went on to take South Africa by storm.Nelson Mandela attended the opening night and is on record as highlighting the show as his favourite musical. The original South African production starred Nathan Mdledle, Ruth Nkonyane, Dan Poho and Miriam Makeba, helping launch Makeba’s international singing career.
West End theatre impresario Jack Hylton was determined to bring the ground breaking South African musical to London, insisting that as many of the original cast members as possible transfer with the production. ‘King Kong’ subsequently opened at London’s Princes Theatre on February 23rd 1961 and ran for 201 performances. Critics praised ‘King Kong’ for its inventive staging, stand out performances and vibrant score.
In more recent times, ‘King Kong’ has been recognised for the pioneering role the production played in breaking down racial barriers, defying the colour bar and uniting black and white South Africans at the height of the apartheid era. In 2017 the musical was profiled by BBC Radio 3 and later revived in South Africa by the Fugard Theatre Company.
Stage Door Records are pleased to debut the Original London 1961 Cast recording of ‘King Kong’ on CD. The recording is complemented with selections from the Original 1959 South African Cast recording, including many songs that were subsequently cut from the London production. The CD concludes with a handful of bonus tracks including pop covers of ‘Back Of The Moon’ and ‘The Earth Turns Over’ by Elaine Delmar and a jazz instrumental of the show’s title song by Terry Lightfoot’s New Orleans Jazzmen.
‘KING KONG’ – ORIGINAL LONDON CAST RECORDING (STEREO)
1. SAD TIMES, BAD TIMES – Company
2. MARVELLOUS MUSCLES – Nathan Mdledle, Company
3. KING KONG – Nathan Mdledle, Company
4. KWELA KONG – Orchestra
5. BACK OF THE MOON – Peggy Phango
6. THE EARTH TURNS OVER – Sophie Mgcina
7. DAMN HIM! – Joseph Mogotsi
8. GUMBOOT DANCE – Company
9. KING KING – Company
10. BE SMART, BE WISE – Ben Masinga, Sophie Mgcina, Lemmy “Special” Mabaso
11. CRAZY KID – Lemmy “Special” Mabaso And The Alexander Junior Bright Boys
12. TSHOTSHOLOSA – ROAD SONG – Company
13. QUICKLY IN LOVE – Nathan Mdledle, Peggy Phango, Stephen Moloi, Ben Masinga, Patience Gcowabe
14. IN THE QUEUE – Company
15. IT’S A WEDDING – Company
16. WEDDING HYMN – Company
17. DEATH SONG – Nathan Mdledle
18. KING KING (Reprise) – Company
19. SAD TIMES, BAD TIMES (Finale) – Orchestra
‘KING KONG’ – ORIGINAL SOUTH AFRICAN CAST RECORDING
20. SAD TIMES, BAD TIMES – Company
21. MARVELLOUS MUSCLES – Nathan Mdledle, Company
22. KING KONG – Nathan Mdledle, Company
23. BACK OF THE MOON – Miriam Makeba
24. PETAL’S SONG (THE EARTH TURNS OVER) – Ruth Nkonyane
25. DAMN HIM! – Joseph Mogotsi
26. STRANGE THINGS HAPPEN – Ruth Nkonyane, Joseph Mogotsi
27. BETTER THAN NEW – Nathan Mdledle, Company
28. MAD – Dan Poho, Company
29. QUICKLY IN LOVE – Miriam Makeba
30. IT’S A WEDDING (Original South African Cast Recording) – Company BONUS TRACKS
31. BACK OF THE MOON – Elaine Delmar
32. THE EARTH TURNS OVER – Elaine Delmar
33. KING KONG – Terry Lightfoot’s New Orleans Jazzmen
The Kwela Swingsters is Australia’s leading exponents of Kwela, South African penny whistle jive music!
Band leader Andy Rigby learned the Kwela style penny whistle playing while he was living in Botswana in the 80’s. The unique way of ‘bending” the sound of the penny whistle gives the Kwela swing music its distinctive vibe.
With its rhythms rooted firmly in swing, add a lot of South African vibe and you have one happy dancing band.
The Kwela Swingsters have got many a foot dancing at leading Festivals in Australia: