Basa Basa ‘Homowo’ aka Basa Basa Experience ‘Together We Win’ -Ghana

Basa Basa Homowo -1979 Nigerian Holy Grail. Now available as a 2018 reissue by Vintage Voudou, The Netherlands, with extensive liner notes and fold-out poster

Soul Safari

Originally released in 1979 in Nigeria this album remains one of the highly prized ‘holy grails’ of African music. Basa Basa Experience ‎– Together We Win Label: Take Your Choice Records (TYC) ‎– TYC 115-L


see also previous post Piliso -Thumela -rare Afrobeat from South Africa 1983

Both albums by Piliso and Basa Basa Experience ‎were produced by Themba Matebese, a member of Nigerian band T-Fire. Other members are Igo Chico, Kenneth Okulolo, Lekan Animashaun, Mike Collins, Tobahoun Abalo, Tunde Williams.  In T-Fire Themba Matebese was responsible for the vocals, rhythm guitar, keyboards and percussion as well as for the composition of most of their songs. He also wrote  ‘African Soul Power’, the standout track on ‘Together We Win’. The album got repressed on Peach River Records in Holland in 1983 under a new title ‘Homowo’, the group name was shortened to Basa Basa.

Liner notes; Basa Basa is a highlife band, the nuclues being the Nyaka Twins from…

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Hugh Masekela (1939-2018) South Africa’s godfather of jazz, has died

Hugh Masekela, South African trumpeter, has died after battle with prostate cancer -photo Bra Hugh (AP Photo-Jeff Christensen)
photo Bra Hugh (AP Photo-Jeff Christensen)

Legendary South African trumpeter and anti-apartheid movement figure, Hugh Masekela has died at aged 78, after a battle with prostate cancer, according to his family and the government.

Born on April 4, 1939, Masekela first picked up a trumpet after seeing the film “Young Man With a Horn” and encouraged by activist Father Trevor Huddleston. Often described as the “father of South African jazz”, Masekela was an icon of South Africa’s Sophiatown, the political and cultural enclave of Johannesburg that was razed by apartheid police but remains a symbol of black freedom.

read more 

 ‘Masekela introducing Hedzoleh Soundz’ is probably one of the most impressive excursions of a jazz trumpeter into the deep heartlands of Africa; Hugh Masekela meets Nigerian band Hedzoleh Soundz.

After his big hit success with ‘Grazing in the grass’,  which went to #1 in both the pop and R&B charts in 1968, Masekela joined his former wife Miriam Makeba in Guinea, Africa for a tour. It was there that he met the Ghanian band Hedzoleh Soundz, an extremely talented band known for blending the ancient rhythmic traditions of their native Ghana with American jazz and Latin music.

At the time Fela Kuti was taking Africa and the world by storm with his brand of Nigerian Jazz Funk.  The interlocking rhythms over which his saxophone could endlessly groove were reminiscent of the style of funk patterns that James Brown pioneered in the U.S.

Hedzoleh Soundz combines the rhythmic traditions of their native Ghana while Masekela adds the improvisational drive of jazz. The album ‘Introducing Hedzoleh Soundz’ was recorded in Lagos, Nigeria in 1973 and features such tracks as ‘Languta’, an irresistible chunk of infectious Afro beat with an inspired Masekela singing and blowing on top.

‘Masekela introducing Hedzoleh Soundz’ -Languta

Masekela introducing Hedzoleh Soundz


  • Hugh Masekela – Trumpet & Vocals
  • Stanley Kwesi Todd – Electric Bass & Vocals
  • James Kwaku Morton – Congas & Vocals
  • Nat “Leepuma” Hammond – Congas, Flute & Vocals
  • Richard Neesai “Jagger” Botchway – Guitar
  • Isaac Asante – Talking Drum, Percussion & Vocals
  • Samuel Nortey – Percussion & Vocals
  • Acheampong Welbeck – Drums


  1. Languta
  2. Kaa Ye Oya
  3. Adade
  4. Yei Baa Gbe Wolo
  5. Patience
  6. When
  7. Nye Tamo Ame
  8. Rekpete

Blue Thumb Chisa BTS 62 USA

Buy the original album here

Happy New Year 2018! Cape Comic Songs


Happy New Year 2018! And what better way to celebrate the New Year with some classic Cape Comic Songs of The Cape Town Street Parade then and now…

Gabriel Bayman croaks Cape comic songs

Backed by Ballie & his Bolle

RCA 32-248 South Africa

Gabriel Bayman Cape Comic songs cover

Over the years the Coloured people of the Cape Peninsula have developed a musical sound of their own, which is as much part of the Cape’s heritage as it’s sparkling white beaches and autumn-hued vinyeards. Drifting on the evening air the plink-a-plonk of banjos and guitars and almost brazen sound of saxophones pour from labourers cottages on the farms of Constantia or from the warren-like, sprawling slum of District Six; from shanties tucked amid the Port Jackson Willows and sand dunes of the Cape Flats or the neatly terraced fisherman’s cottages of Hout Bay comes the sound of the Cape Carnival Beat.


And with the advent of the New Year all the joy and some of the sadness of the people whips though the streets of Cape Town in a kaleidoscope of coloured silks and beaming faces during the Carnival.

The songs which they sing –many of them wreathed in passed history, others reflecting history being made today- and the music which they make are as distinctively part of the Peninsula as the heavy white clouds hanging over Table Mountain –the so-called Table Cloth.

Gabriel Bayman is well known as broadcaster and for his characterisations of the Cape Coloured Folk whom he knows so well.

Though he did occasional stage work, including Waiting for Godot (1959) for the National Theatre Organisation (NTO), The Amorous Prawn (1961) at the Alexander Theatre, The Physicists (1963) for the Langford-Inglis Company, A Flea in Her Ear (1968) for the Johannesburg Repertory Players and Canterbury Tales (musical) (1970-71) at the Civic Theatre in Johannesburg, radio listeners were frequently exposed to his voice, even though they did not always realise that it was him. Amongst the programmes in which he featured were 33 Half Moon Street, written first by Adrian Steed and then by Douglas Laws (1965-66), General Motors on Safari, produced by Michael McCabe (1965-69), Squad Cars, directed by David Gooden (1968-85), Eloquent Silence (1969) produced by Cecil Jubber and The Challenge of Space, with Donald Monat (1969-70).

And Bayman starred in a few locally produced movies as well; “The Cape Town Affair” is his best known, a 1967 glamorized spy film produced by 20th Century Fox at Killarney Film Studios in South Africa.

Commentators describe the film as dull, slow-paced, poorly acted and tedious. The film does, however, paint an interesting picture of life in South Africa under apartheid as seen from the point of view of official government policy. All the leading characters are white and even street scenes contain few non-whites.

He also brought out a number of long-playing records, including Die Stories van Oompie Boetie Baradien, Kindersprokies Oorvertel and Gabriel Bayman Croaks Cape Comic Songs. (FO)

Source; ESAT Gabriel Bayman


Gabriel Bayman Cape Comic songs label

The origins of many of the ‘moppies’and ‘goemaliedjies’which you will hear are often obscured by time. In the late 1940’s one of the main hit numbers of the year was the song “Mona Lisa”, which blared from juke-boxes and radios throughout the country. The Coloureds took it to their hearts and developed it into a song along their own particular-and sometimes peculiar lines. Every year the winning troupe of the Carnival sings a particular song on its way back to District Six as it marches along Somerset Road. Invariably it is an adaption of the ‘hit of the year’and in this instance ‘Mona Lisa’ was the song. Naturally the words and even the theme was altered, and it ended up as a bawdry, frivolous street song which caught the enthousiasm of everyone who heard it.

Gabriel Bayman -Mona Lisa

Gabriel Bayman -So Lank As Die Rietjie In Die Water Le

Gabriel Bayman -Beestepote

Gabriel Bayman -Veepoot Kwela 

Gabriel Bayman -Ry Hom Boetie Ry Hom

Gabriel Bayman -Die Sop


Perhaps the most delightful of all the lyrics on this record is ‘Ry hom, boetie ry hom….’ A racing song if ever there was one! In the old days, when races were run on the Green  Point Common this is a song that certainly was sung. A lady visitor from Britain wrote in the 1860s  “how curious it is to see one of our elegant English jockeys being beaten to the post by a wizened little Hottentot”. One can only imagine that the ‘wizened little’ jockey concerned was egged on to the winning post with this cry.

For any South African, English or Afrikaans speaking, this record is a real party piece, guaranteed to set feet tapping and partners twirling to the ending, the traditional farewell, “Baiei Terima Kassie”, “Maak Vir Julle Klaar Om Nou Huistoe te Gaan” want Tante Fiena draai, tot die eerste hoender kraai.

Liner notes by Peter Schirmer

See also

songs and dances from Cape Malay fit for a king

Happy New Year 2015 from Cape Town

Best African music finds 2017 # 5 -The New Brothers -Emakhuneni -South Africa

one post a day for the remainder of 2017 featuring a selection of some of my best finds of African music last year…not necessary brand new releases. Mostly vintage records found during my travels all over the world.

Best African music finds 2017 # 5

The New Brothers -Emakhuneni

CTV International CT 86 1990 South Africa

The New Brothers -cover watermarked

‘Emakhuneni’ was produced by Dumisani Ngcobo & Felani Gumbi who also wrote most of the material on this rare album.  The music is a gentle heady mix of funky organ and electric guitar driven rhythms. But the singing style and harmonies prove to be the real turn on for me. Listen to a few of my favourite tracks of this album.

Great cover by the way! Who came up with the motor helmets first? Daft Punk or The New Brothers?? I guess The New Brothers….

The New Brothers -label A watermarked

The New Brothers -Wave Wabothoka

The New Brothers -Umbango

The New Brothers -Mam’ Omncame

The New Brothers -Masibmabhane

The New Brothers -Emakhuneni

The New Brothers -label B watermarked

The New Brothers -Emenaweni

The New Brothers -Uqomdeni

The New Brothers -Umahlalela

The New Brothers -Sehluhanisile

The New Brothers -Nesaba Ukweshela

see also Abagandayi -Asithembel’ Enkosini -Zulu funk 1984

14 Mbaqanga gems in da Yuletide Mix

Soul Safari’s Yuletide mix of classic mbaqanga tunes by some of the most iconic groups published originally in 2011…back by popular demand in 2017! Merry Christmas!!

Soul Safari

Soul Safari’s Yuletide mix of classic mbaqanga tunes by some of the most iconic groups published originally in 2011…back by popular demand in 2017! Merry Christmas!!

Soul Safari Yuletide Mix  2011

01. Mahlatini & The Queens -Guluva

02. Intoda Mahlatini & Mahlatini Band -Kudala Besibiza

03. Intoda Mahlatini & Mahlatini Band -Siyekeleni

04.John Moriri & Manzini Girls -Duzu

05. Manzini Girls -Amazwi Akho

06. Manzini Girls -Inkukhu Namaqanda

07. John Moriri & Manzini Girls -Sicholo Sami

08. Mahlabathini & Izintombi Zephepha -Yishilava Emzimi

09. Mahlabathini & Izintombi Zephepha -Umtomdala

10.Amakhosi -Busisiwe

11.Abakhwenyana -Ifuze Lami

12. Amakhosi -Izithandane

13. Izintombi Zase Mhlangeni -Itsripha Rendoda

14.Izintombi Zase Mhlangeni -Yeyo Lentombi


Merry Christmas from Soul Safari 


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Best African music finds 2017 # 6 ABAFANA BASEQHUDENI -Umdumo -mbaqanga South Africa

one post a day for the remainder of 2017 featuring a selection of some of my best finds of African music last year…not necessary brand new releases. Mostly vintage records found during my travels all over the world.

Best African music finds 2017 # 6

ABAFANA BASEQHUDENI -Umdumo (‘Mighty Thunder’)

Gumba Gumba BL 89 1976 South Africa

abafana baseqhudeni -umdumo cover watermarked

Abafana Baseqhudeni is a male mbaqanga group formed in 1975 by members of the Mahothella Queens and Space Queens. Umdumo (‘Mighty Thunder’) was produced by West Nkosi and Marks Mankwana and became their biggest album in 1976.

abafana baseqhudeni -umdumo label watermarked

Abafana Baseqhudeni -Biyela Wami

Abafana Baseqhudeni -Bayajabula Bonke

Abafana Baseqhudeni -Dabula Amazwe

Abafana Baseqhudeni -Isihlahla

Abafana Baseqhudeni -Mabuyemendweni

Abafana Baseqhudeni -Hambizwe

See also

14 Mbaqanga gems in da Yuletide Mix 2011

Soul Brothers & Sisters -Township Soul & Boogie vol 7; Mbaqanga

Best African music finds 2017 #7 -Farafina –Bolomakoté Burkina Faso

farafina-en-tunisieone post a day for the remainder of 2017 featuring a selection of some of my best finds of African music last year…not necessary brand new releases. Mostly vintage original pressings found during my travels all over the world.

#7 Farafina ‎– Bolomakoté

veraBra Records ‎– veraBra No. Germany 1989


farafina -bolomakoté cover watermarked

Farafina is a group of percussionists / dancers from Burkina Faso in West Africa, founded orginally by Mahama Konaté.

Excellent workouts on traditional African instruments like the balafon and djembé are recorded on this album, one of the standout tracks of ‘Bolomakoté’ is the track “Moroman Wouele”, an amazing rhythm journey with hypnotic chants! The track starts seductively like a North African belly dance morphing gradually into a faster samba rhythm. The latin theme re-appears even stronger on the B-side….dance-floor friendly album for sure.

Farafina’s ability to expand their music without denying their traditional instruments has enabled them to experience new forms and record with musicians such as Jon Hassell, the Rolling Stones, Ryuichi Sakamato, Daniel Lanois, Billy Cobham, Joji Hirota….

In 1988 Farafina worked together with Jon Hassell on an ambient/experimental album ‘Flash Of The Spirit’. The group played several times at the Montreux Jazz Festival, and stole the show at the famous Nelson Mandela’s birthday concert in the London Wembley Stadium.

farafina -bolomakoté label watermarked

A1 Moroman Wouele 4:22

A2 Bolomakoté Mahama 3:42

A3 Mandela 3:06

A4 Nianiae Lomina 4:54

A5 Kodine 5:08

B1 Samba 4:20

B2 Patron Mousso (Instrumental) 5:40

B3 Goulikanairi Ye 2:53

B4 Kabouroudibi 6:23





Balafon – Baba Diara, Mahama Konaté

Djembé – Paco Yé Adama

Flute – Soungalo Coulibaly

Lead Vocals – Mahama Konaté, Paco Yé Adama, Soungalo Coulibaly

Maracas – Souleyname Sanou, Soungalo Coulibaly

Percussion [Bara] – Beh Palm, Baba Ouatara

Percussion [Doudoum’ba] – Baba Diara

Percussion [Doudoum’ni] – Souleyname Sanou, Tiawara Keita

Talking Drum – Tiawara Keita