O.K. Jazz The Loningisa Years 1956-1961

cover-ok-jazz-planet-ilungamade with love…lots of research and discovering great long lost Congolese music. That is the first impression of this new release by the Belgian label Planet Ilunga. This exciting young label wants to contribute to restore the rich Congolese music archive, firstly through high quality vinyl issues and extensive booklets.

 O.K. Jazz The Loningisa Years 1956-1961

 ∞∞∞ Release date: 1 February 2017 ∞∞∞

okjazz1957-best

After the two earlier releases on Planet Ilunga, focusing on the orchestras African Jazz and Rock-a-Mambo, it makes perfect sense that a third album should explore the treasures of that other major school of popular Congolese music. With this new compilation Planet Ilunga goes back to the very early days of O.K. Jazz, founded in 1956 in Léopoldville and disbanded in 1993. During the late fifties O.K. Jazz was the home of outstanding musicians such as Franco, Vicky, De La Lune, Edo Nganga, Dessoin, Kouka Celestin, Isaac, Brazzos, Mujos and many others. Together they created an unique and hair-raising take on rumba, cha-cha-cha, calypso, merengue and the band’s favourite rhythm: the bolero

Tscha-Tscha Del Zombo

From June 1956 to August 1961 the band recorded 320 tracks for the 78 rpm music label Loningisa. Despite earlier efforts from labels such as Crammed Disc, RetroAfric and African (thank you!), there is still a large part of the Loningisa back catalogue that remains hidden from the public. That’s why Planet Ilunga associated with Yves Luambo Emongo (son of Franco) and Julien Rocky Longomba (son of Vicky) and compiled 32 O.K. Jazz songs that were recorded between 1956 and 1961.

Na Kobala Mimi

All songs on this compilation were originally released on 78 rpm records on the Loningisa label and most of the selected tracks were never reproduced after their original release. I tried to construct a tracklist consisting of different composers and different genres to show the diversity of this great band. Planet Ilunga collaborated for this release with a few 78 rpm collectors. I would once again like to thank them for sharing their rare records.

Mousica Tellama

Vinyl-only release
 
* 2LP vinyl: 32 tracks (total running time: 93:25): tracklist, see Discogs
* Comes with a 40-page booklet (in English) with lyrics in Lingala, lots of pictures and a closer look to this terrific band
* Full artwork gatefold album cover by Miadana Aurélia
* 180 gram vinyl
* Restored and remastered tracks
* Limited and numbered to 500 copies
* Worldwide distribution through carefully selected vinyl shops
* First orders receive a limited O.K. Jazz concert poster, made by Muzikifan, only 75 made

Mbongo Na Ngai Judas

Acknowledgements

Compiled with the precious help of Stefan Werdekker from the music plaform Worldservice and Flemmming Harrev from afrodisc.com.

Special thanks to Julien Rocky Longomba and Yves Luambo Emongo, respectively sons of Victor Longomba (aka Vicky, tenor voice in O.K. Jazz) and François Luambo Makiadi (aka Franco, guitarist in O.K. Jazz).Thanks to the 78 rpm collectors Christian Van den Broeck and David Manet. Thanks to Alastair Johnston from the Muzikifan website who made the poster and revised the booklet. Melesi mingi Christian Ongoba & Henriette Alipaye for the transciption of the songs in in Lingala.

Order info

Shops and distributors that would like to distribute this release, please contact Planet Ilunga for wholesale details.  Readers can already pre-order a copy of this release by sending  an email at planetilunga@gmail.com or going to the shop page on the Planet Ilunga blog. For those who don’t have the second Planet Ilunga release (Rock-A-Mambo/African Jazz – Souvenirs From Esengo 1957-1961) yet, feel free to ask for a copy. A few copies are still available. The first release (Souvenirs from the Congo) is completely sold out.

Links to order:

https://planetilunga.wordpress.com/shop/

http://www.rushhour.nl/store_detailed.php?item=94528

http://www.juno.co.uk/products/ok-jazz-the-loningisa-years-1956-1961/638131-01/

vicky-franco-joseph-kasa-vubu
More info on the label

Planet Ilunga specializes in archiving, documenting and sharing the “Rumba Lingala” sound from the fifties and sixties from both the Congos. In the following years, Planet Ilunga wants to contribute to restore the rich Congolese music archive, in the first place through high quality vinyl issues and extensive booklets. Your sharing of this mailing, video or info to fellow (Congolese) music lovers would be very welcome.
 

Papa Wemba R.I.P. (1949 – 2016)

Last Sunday Papa Wemba collapsed at a concert in Ivory Coast and died shortly afterwards. To die in the armor is probably just the way he had always wanted it, how shocking this news may seem. Papa Wemba (born Lubefu in 1949) became famous as a young singer when he joined the band Zaiko Langa Langa in 1969.

Congolese rumba (or soukous) was big in the fifties and sixties, when African artists were mixing traditional Congolese music with soul and Latin American and Caribbean rhythms.

The band played a  modern and bold version of rumba, full of tight drums and electric guitars, and therefore Zaiko Langa Langa was very popular with mainly Congolese youth. Not least because of the appearance of the band, always well dressed in the latest imported fashions. But Zaiko Langa Langa was also popular because the band created a true dance craze in the seventies with the very exciting cavacha rhythm.
From 1974 onwards Papa Wemba founded a few own bands. First Isifi Lokole, later Yoka Lokole and eventually the band Viva la Musica.  As a bandleader with this group Wemba wanted to give young Congolese talent an opportunity and the composition of the group therefore changed constantly. Viva la Musica had big hits with songs like ‘African Bokulaka’ and ‘Mere Superior. And Papa Wemba was a star in his home country, especially as one of the leaders of the Congolese La SAPE, a movement which wanted to show with striking and fashionable clothes that Africans could survive very well without colonial rulers.

See also les Sapeurs; battle of the dandies

Too numerous to mention but one of my own favourites must be this collaboration with Hector Zazou from 1983 on the excellent Crammed Discs from Brussels, Belgium. A quite rare and hard to find wave-afro funker.

Zazou/Wemba -Malimba

(Crammed Discs 023 -Belgium 1983)

See also this documentary of Papa Wemba – The King Of Sape/ Papa Wemba Le Roi De La Sape. Not for the fainthearted….

source; de Volkskrant April 25 2016 -Robert Gijssel

 

GETATCHEW MEKURIA PASSED AWAY TODAY

Getatchew Mekuria (photo Matias Corral)
Getatchew Mekuria (photo Matias Corral)

 

GETATCHEW MEKURIA PASSED AWAY TODAY

MARCH 14, 1935 – APRIL 4, 2016
 
Getatchew passed away today. At the age of 81 and after a musical career of 68 years. He was a truely unique saxophone player. Born in the countryside of Ethiopia, he heard the saxophone on the radio at the age of 13 and went to Addis Abeba straight away. He wanted to play saxophone! And soon after that he got himself into the Municipality Band. Later he played in the Haile Selassie Orchestra’s, the National Theatre Orchestra and more.

Since 2004 he played regularly with The Ex. It was his choice after hearing us at one of our festivals. He recognized something in our music which reminded him of the early groups he was in, like the Fetan Band (Speed Band). He loved playing with us and for us it was also an incredible experience. He was always totally himself, full-on intense and dedicated. We played more than 100 concerts and made two beautiful albums together.

The last few years, his health was not very good. He couldn’t really go on tour anymore. As a kind of farewell concert for his fans, we organized a big event in the National Theatre in Addis Abeba. He got lots of attention and respect that night: 1500 people in the audience, three TV stations and a legendary concert. Getatchew was playing while sitting on a chair, but his playing was stronger than ever.

His whole life was devoted to music. With his unique sound and approach he leaves behind an eternal inspiration!

We will miss him.
 
The Ex.

Globeat -a worlwide safari- by Stan Rijven

 

Vector Globe / Globe Free Vectors Download / 4Vector

Globeat

Intro -Radio program Silver Apples (USA)

Hunting Song –Aka Pygmy (central Africa)

Super Djata Band -Super Djata (Mali)

Ray Mbele –Baobab (Senegal)

Pedro Padrilla Aquinaldo (Puerto Rico)

Kanis Edho Dhen –Glykeria (Greece)

A Statman Kletzer Orchestra -The Chaser (USA)

Leo Fuld –Doina (Netherlands)

Cheb Mami –Idha Enti Bkiti (Algeria)

 

Compiled & mixed by Stan Rijven

Stan Rijven is a popjournalist who ao worked for the national Dutch newspaper Trouw (1979-2014). During the 80s he was a regular dj at squad Radio 100 (Tam Tam International) and hosted for 2 years the VPRO Radio 3 program The World Receiver/ Mundial (1989/90).

Mid 80s he co-founded the magazine Afrika. Combined with his Radio 100-program Stan organised the monthly held Tam Tam Club at Cafe De Pieter in Amsterdam which became a well known spot to hear the latest African pop and World music. At the same time Stan was busy establishing IASPM-Benelux, a global music platform for the Benelux (Paradiso, march 1984). Hence the name IASPM, International Association for the Study of Popular Music. To encourage the ± 40 Benelux members to pay their annual membership fee, Stan compiled this tape Globeat in 1989 as a present. Very rudimentary mixed with one turntable and one double casssettedeck, mixing was purely by feel, without a mixing desk.

Globeat is constructed with a radio-show in mind, covering parts of Africa and some unexpected contributions from Latin-America, the USA and the Netherlands as well.

Serge Franklin ‎– Pour Recevoir Vos Amis Comme À Ouagadougou, Afrique 1975

serge franklin -ouagadougou, afriqua LP cover

Serge Franklin  ‎– Pour Recevoir Vos Amis Comme À Ouagadougou, Afrique 1975

Pathé Marconi EMI ‎– 2 C 062 11568 (1975)
Series: Exotissimo – Vol. 8

Les Griots -Liwa Wetche

Les Griots -Danse Du Fleuve

Les Griots -Morgen

Les Griots -Kio Kio

Les Griots -Danse Des Filles Du Sable

Sad news came last friday when Ouagadougou was the centre of terrorists attacks claimed by an African branch of Al Qaeda. The hostage crisis ended in The Splendid Hotel with a total of 27 deaths.

In better times Burkina Faso was known as a relatively peaceful country.
The predominantly Muslim country located in the West African region is affected more often recently by the violence of jihadist militias. But previously the country remained relatively spared from jihadist violence, unlike neighboring countries like Mali and Niger.

It comes as no surprise to know that many French artists in the 60s and 70s went to Burkina Faso to perform or record music with local artists. Like Serge Franklin whose  artistic itinerary starts in France in the 60s as an author-songwriter when he published several 45s under his own name. The singer quickly became a studio musician as a sitar player and accompanied singers like Gilles Vigneault and Georges Moustaki at the Bobino theater in Paris, respectively in 1966 and 1969.

In 1971 Serge Franklin traveled to India where he perfected his skills on sitar under the pseudonym Adjenar Sidhar Khan. As a lover of primitive stringed instruments, Franklin recorded a rather remarkable album in Ouagadougou, featuring mainly local instruments like the cora, balafon, zanza and the bow.

The album contains a beautiful version of ‘Licha Wetche’,  a traditional song that was popular with many artists. See also the Bleached Zulu
“Pour Recevoir Vos Amis Comme À Ouagadougou, Afrique” by Les Griots was released in France as part of the series Exotissiomo in 1975. It is a collection of traditional songs, field recordings and newly written material by Serge Franklin, performed by local musicians.

 

 

Happy New Year 2016 from Lesotho with Bohale Ba Dinare

Happy New Year 2016 from Lesotho 2

The mountainous kingdom of Lesotho, with a few natural resources and no significant industrial development, is one of the world’s least developed nations. The country is entirely surrounded and economically dominated by the Republic of South Africa. Much of the workforce is employed in the mines of South Africa, most of the men work in the gold and coal mines where they stay in men-only compounds on basic 6 months-contracts. This massive volume of migrant labour means that Lesotho is highly dependent on the Republic.

basotho 2

see also

Puseletso Seema & Tau Ea Linare -Lesotho

sounds & Basotho songs from Lesotho

 

Bohale Ba Dinare may not be a familiar name but his music deserves your attention for sure since this album has been on my turntable for the last few days and its festive mood seems like the perfect soundtrack to welcome the New Year 2016.

Happy New Year 2016 from Lesotho cover front watermarked

Sello Sa Basotho

Otla Diala O Di Alole

Matekoane

Khotso

Ba Monkile

Happy New Year 2016 from Lesotho label A watermarked

Konyana

Ha Kena Haka

Khalong La Hlotse

Ha Ke Sheba

Oya Kae Disemeng

Happy New Year 2016 from Lesotho label B watermarked

basotho 1

 

Basa Basa ‘Homowo’ aka Basa Basa Experience ‘Together We Win’ -Ghana

Originally released in 1979 in Nigeria this album remains one of the highly prized ‘holy grails’ of African music. Basa Basa Experience ‎– Together We Win Label: Take Your Choice Records (TYC) ‎– TYC 115-L

R-4417713-1364329257-2404.jpeg

see also previous post Piliso -Thumela -rare Afrobeat from South Africa 1983

Both albums by Piliso and Basa Basa Experience ‎were produced by Themba Matebese, a member of Nigerian band T-Fire. Other members are Igo Chico, Kenneth Okulolo, Lekan Animashaun, Mike Collins, Tobahoun Abalo, Tunde Williams.  In T-Fire Themba Matebese was responsible for the vocals, rhythm guitar, keyboards and percussion as well as for the composition of most of their songs. He also wrote  ‘African Soul Power’, the standout track on ‘Together We Win’. The album got repressed on Peach River Records in Holland in 1983 under a new title ‘Homowo’, the group name was shortened to Basa Basa.

Liner notes; Basa Basa is a highlife band, the nuclues being the Nyaka Twins from Accza, Ghana, West Africa. They both play guitars and drums and compose their own songs. Recorded at Decca Studios, Lagos, Nigeria. Classify under tight funky disco high life afrobeat.

Basa Basa‎–Homowo – Highlife Music

basa basa homowo cover front + watermark basa basa homowo cover back watermarked

basa basa homowo label A watermarked

basa basa homowo label B watermarked

Peach River Records ‎– BB SP LP 03 -The Netherlands 1983

 Thumbs up to reader Afrikola for his valuable information on the origins of this rare record.