LISTEN….I was invited as guest dj for the 2nd hour of the program BROKERS on Belgian radio station The Word. These nice guys gave me carte blanche for a selection of personal favorite tunes….thanks Oswald Moris for the great introduction and your seamless selection of timeless disco/boogie/electro tunes. LOVE!!
All records in the 2nd hour of the BROKERS show from my own collection, vinyl only!! Listen to this mix filled with ultra rare South-African, Nigerian, Liberian & Brazilian grooves. Some really funky Disco rarities too. And to top it off the 2nd hour closes with a previously unreleased remix of one of my own productions; ‘Changes’ with Sylvia Kristel (RIP), a mellow sexy funky mix by Zuco 102. Yes, that is the Brazilian band Zuco103 minus 1. This remix is yet to be released. All vinyl, all good! Make sure to check my blog on Africa, ‘Soul Safari’: https://soulsafari.wordpress.com/
tracklist 2nd Hour The Word Brokers -EDDY DE CLERCQ
The Drive – Iphi Intombi Yam pts 1 + 2 The Jazz Clan – Oh Happy Day Salah Ragab – Egypt Strut Kindred Spirit & Corina Flamma Sherman – Inner Languages Kindred Spirit & Corina Flamma Sherman – Put Your Spirit Up Luisito Quintero feat. Francis Mbappe – Gbagada, Gbagada, Gbogodo, Gbogodo (Roots Mute Mix) Ray Munnings – Funky Nassau Freddi Hench & The Soulsetters – I Like Funky Music Chocolate Milk – Who’s Getting It Now Tom Scott and the L.A. Express – Jump Back Jackie Moore – Heart Be Still Patti & The Emblems – It’s The Little Things Patrick Moraz – Rana Batucada EDC & Friends feat. Sylvia Kristel – Changes (Zuco 102 Mix)
Listen here to the full 2 hours Brokers show with the first hour by resident dj Oswald Moris, followed by my own mix of ultra rare South-African, Nigerian, Liberian & Brazilian grooves. Some really funky Disco rarities too….enjoy!
well folks, happy to have survived another 3 days of unlimited digging and selling on the biggest record fair in the World; the Spring edition of the ARC record fair in Utrecht.
As ever, the bi-yearly pow wow of national and international dealers provided the finest selection of top-end collectible vinyl, as well as a huge amount of cheap vinyl and everything in between. Something for everybody.
I had brought quite a nice selection of original South African vinyl, ranging from electronic afro-synth, boogie, bubblegum, kwaito as well as rare jazz. And other African music too, next to soundtracks, disco, soul, reggae, latin and a small but intriguing selection of unusual and weird records. Thanks to all customers, new and regular, for visiting my stall and supporting this selection. Next autumn I will be back with lots of more goodies…. at my stall nr. 388
hi World…here is a new initiative from Soul Safari. A podcast to highlight and celebrate some great unknown South African music!
For this very first show I selected 12 really cool and rare 45 singles by the best of South African Soul Jazz groups, all records from my own collection. Different styles ranging from vocal to instrumental tunes, recorded and released between 1969 to 1982. Seldom heard on any radio-show…but exclusively now for your ears here on Soul Safari as a podcast. 35 minutes of great South African soul jazz.
I do hope you will enjoy this new initiative!
Here is the playlist and pics from all records played….
Originally released in 1979 in Nigeria this album remains one of the highly prized ‘holy grails’ of African music. Basa Basa Experience – Together We Win Label: Take Your Choice Records (TYC) – TYC 115-L
Both albums by Piliso and Basa Basa Experience were produced by Themba Matebese, a member of Nigerian band T-Fire. Other members are Igo Chico, Kenneth Okulolo, Lekan Animashaun, Mike Collins, Tobahoun Abalo, Tunde Williams. In T-Fire Themba Matebese was responsible for the vocals, rhythm guitar, keyboards and percussion as well as for the composition of most of their songs. He also wrote ‘African Soul Power’, the standout track on ‘Together We Win’. The album got repressed on Peach River Records in Holland in 1983 under a new title ‘Homowo’, the group name was shortened to Basa Basa.
Liner notes; Basa Basa is a highlife band, the nuclues being the Nyaka Twins from…
In the 1930’s African Jazz Music became an important feature in the lives of many urban Africans and some remarkable talent began to emerge in Johannesburg.
In 1952 the Union of Southern African Artists came into being with the dual function of promoting the talent that had already been shown to exist in the musical and dramatic field and to act as an Artist’s Equity. The union promoted Township Jazz concerts which were the first large scale African entertainments to be presented in the capital of South Africa, and arranged for white and non-European audiences to see and hear a wide range of entertainment by black and colored artists.
South African Institute for Race Relations presents African Jazz and Variety
The Woody Woodpeckers -Fanagalo
Fanagalo is a pidgin or simplified language, based primarily on Zulu. It is used as a lingua franca, mainly by workers in the gold, diamond, coal and copper mines.
This rare 10″ includes two songs by The Woody Woodpeckers, a group around songwriter and musician, Victor Ndlazilwane, who was awarded the Metro FM Lifetime Achievement award in 2006 in South Africa. During his early career, Ndlazilwane was part of the legendary Woody Woodpeckers group as well as the Jazz Ministers, both of which were signed to Gallo Record Company. The Jazz Ministers were the first African jazz band to perform at the prestigious Newport Jazz Festival in New York.
King Jeff & His African Jazz Troupe -Rock Around The Clock
At the end of the 40’s and mid-50’s when Rock ‘n Roll swept through the world like a tsunami, a bleached derivative of American Jazz and R&B music was popular in South Africa. Black and white musicians, singers and performers catered for the refined taste of the well heeled visitors and sophisticated dancers that frequented the big hotels and nightclubs of the big cities like Johannesburg, Cape Town and Durban. There existed a circuit of hip hangouts and palaces of nocturnal pleasures; theaters, nightclubs, bars and restaurants where live music was an extra attraction to the fine dining and luxurious surroundings. Valet parking included. But the jungle rhythms of the American originals were a wee bit too adventurous to serve as a soundtrack for an exquisite night out at The Colony Hotel or The Beachcomber. So more musicians, singers and bands turned towards the then popular sound of the Mediterranean countries like Italy or Portugal. Many landed in Johannesburg , the city of gold & diamonds where riches and fame was to be found aplenty.
Such a nightclub/restaurant was Franco’s, located in downtown Johannesburg. The nightclub was a famous hangout for the city’s well-heeled crowd, musical entertainment consisted mainly of evergreens from around the world, sometimes local songs were included in the repertoire. A mixed bag really, something you can dance to or just listen to in the safety of a segregated environment.
The Beachcomber in Durban and The Grand Hotel Beira in Mozambique were similar hangouts, where well-to-do visitors from Portuguese Angola, the Belgian Congo or the Rhodesias could unwind on a dream holiday. Or they came to make a business deal, or simply to be entertained by the best of performers around.
The Three Petersen Brothers and Nico Carstens and his Orchestra
The Three Petersen Brothers, Mervyn, Basil and Andy, are really brothers who belong to one of the oldest theatrical families in South Africa. They are versatile and musically gifted, touring the country, appearing on stage, in variety and as cabaret artists in every nightclub in South Africa, in addition to regular radio performances. ‘On Safari’ is their first LP recording together with the famous Nico Carstens Orchestra.
from the original liner notes by Anton De Waal of ‘On Safari’ Columbia 33JS 11011 South Africa
Three Petersen Brothers -Voom-Ba Voom
Three Petersen Brothers -Pondoland
Three Petersen Brothers -Jo’burg Samba
Nigel Crawford with the Gold Diggers
“Gold Rock (You’veGot to Dig, Dig, Dig for Gold)” isthe title of a 78 rpm by Nigel Crawford with the Gold Diggers. The song explains why a small settlement in Gauteng could grow into the famed capital of ‘eGoli’, a Zulu word meaning “place of gold”. Johannesburg could not be bettered as an appropriate locale for the story of all those who came starry eyed to the big city, chasing a dream.
Nigel Crawford with the Gold Diggers -Gold Rock
Nigel Crawford with the Gold Diggers -Hamba Lala (African Calypso)
John Massey and his Warriors -African Rock ‘n Roll
made with love…lots of research and discovering great long lost Congolese music. That is the first impression of this new release by the Belgian label Planet Ilunga. This exciting young label wants to contribute to restore the rich Congolese music archive, firstly through high quality vinyl issues and extensive booklets.
O.K. Jazz The Loningisa Years 1956-1961
∞∞∞ Release date: 1 February 2017 ∞∞∞
After the two earlier releases on Planet Ilunga, focusing on the orchestras African Jazz and Rock-a-Mambo, it makes perfect sense that a third album should explore the treasures of that other major school of popular Congolese music. With this new compilation Planet Ilunga goes back to the very early days of O.K. Jazz, founded in 1956 in Léopoldville and disbanded in 1993. During the late fifties O.K. Jazz was the home of outstanding musicians such as Franco, Vicky, De La Lune, Edo Nganga, Dessoin, Kouka Celestin, Isaac, Brazzos, Mujos and many others. Together they created an unique and hair-raising take on rumba, cha-cha-cha, calypso, merengue and the band’s favourite rhythm: the bolero
Tscha-Tscha Del Zombo
From June 1956 to August 1961 the band recorded 320 tracks for the 78 rpm music label Loningisa. Despite earlier efforts from labels such as Crammed Disc, RetroAfric and African (thank you!), there is still a large part of the Loningisa back catalogue that remains hidden from the public. That’s why Planet Ilunga associated with Yves Luambo Emongo (son of Franco) and Julien Rocky Longomba (son of Vicky) and compiled 32 O.K. Jazz songs that were recorded between 1956 and 1961.
Na Kobala Mimi
All songs on this compilation were originally released on 78 rpm records on the Loningisa label and most of the selected tracks were never reproduced after their original release. I tried to construct a tracklist consisting of different composers and different genres to show the diversity of this great band. Planet Ilunga collaborated for this release with a few 78 rpm collectors. I would once again like to thank them for sharing their rare records.
Vinyl-only release * 2LP vinyl: 32 tracks (total running time: 93:25): tracklist, see Discogs * Comes with a 40-page booklet (in English) with lyrics in Lingala, lots of pictures and a closer look to this terrific band * Full artwork gatefold album cover by Miadana Aurélia * 180 gram vinyl * Restored and remastered tracks * Limited and numbered to 500 copies * Worldwide distribution through carefully selected vinyl shops * First orders receive a limited O.K. Jazz concert poster, made by Muzikifan, only 75 made
Mbongo Na Ngai Judas
Compiled with the precious help of Stefan Werdekker from the music plaform Worldservice and Flemmming Harrev from afrodisc.com.
Special thanks to Julien Rocky Longomba and Yves Luambo Emongo, respectively sons of Victor Longomba (aka Vicky, tenor voice in O.K. Jazz) and François Luambo Makiadi (aka Franco, guitarist in O.K. Jazz).Thanks to the 78 rpm collectors Christian Van den Broeck and David Manet. Thanks to Alastair Johnston from the Muzikifan website who made the poster and revised the booklet. Melesi mingi Christian Ongoba & Henriette Alipaye for the transciption of the songs in in Lingala.
Shops and distributors that would like to distribute this release, please contact Planet Ilunga for wholesale details. Readers can already pre-order a copy of this release by sending an email at firstname.lastname@example.org or going to the shop page on the Planet Ilunga blog. For those who don’t have the second Planet Ilunga release (Rock-A-Mambo/African Jazz – Souvenirs From Esengo 1957-1961) yet, feel free to ask for a copy. A few copies are still available. The first release (Souvenirs from the Congo) is completely sold out.
Planet Ilunga specializes in archiving, documenting and sharing the “Rumba Lingala” sound from the fifties and sixties from both the Congos. In the following years, Planet Ilunga wants to contribute to restore the rich Congolese music archive, in the first place through high quality vinyl issues and extensive booklets. Your sharing of this mailing, video or info to fellow (Congolese) music lovers would be very welcome.