one post a day for the remainder of 2017 featuring a selection of some of my best finds of African music last year…not necessary brand new releases. Mostly vintage records found during my travels all over the world.
Best African music finds 2017 # 6
ABAFANA BASEQHUDENI -Umdumo (‘Mighty Thunder’)
Gumba Gumba BL 89 1976 South Africa
Abafana Baseqhudeni is a male mbaqanga group formed in 1975 by members of the Mahothella Queens and Space Queens. Umdumo (‘Mighty Thunder’) was produced by West Nkosi and Marks Mankwana and became their biggest album in 1976.
Throughout the entire month of May Soul Safari will be listing field recordings, folk, private pressings, township jive & kwela jazz, African jazz, soul & boogie, mbanqaga,and much much more with absolutely no reserves.
Records that have been presented on these pages over the last five years are now on auction. So here is your change to grab some rare African vinyl as I am cleaning out my shelves to make room for new music.
Some highlights; a collection of ultra rare and seldom heard field recordings from ILAM, recorded by Hugh Tracey. These records were purchased many years ago directly from ILAM in South Africa from what was left of their unsold stock. All records come in their original cover with the labels attached to the back cover and are unplayed, in brand new mint condition.
More Soul Safari favs like great 45’s by jive kings The Soweto Boys, mbanqaga queens The Manzini Girls are now on auction.
my last safari through the concrete jungle of cities like New York City and Philadelphia generated a lot of great finds, not just African music but a few interesting otherwordly records as well. What about The Afro-Latin Soultet ‘Wild!’, a truely rare jazz-soul gem rarely seen in the wild.
Best catch of this safari must be the American release of Spokes Mashiyane’s LP ‘King Kwela’, recorded during his first US live tour, The Boyoyo Boys ‘Back In Town’, Josef Marais, and Dorothy Masuka ‘Pata Pata’ as runner up… maybe not the holy grails I was looking for in the first place but still a decent selection of music from the African diaspora that I like to share with you. More info and mp3 files in coming posts….and my experience of diggin’ in Philadelphia will be revealed shortly.
In my previous post Township Soul & Boogie vol 5; Soul Brothers & Sisters I have already recommended the music of the Soul Brothers and of course there is the authorative biography by Steve Gordon so today I want to add some titles to my ever-growing collection of the mbaqanga sound which dominated South African urban music for over three decades.
The irresistible mix of percussive Hammond organ, quavering soul or the growling deep male voice against female sweet temptation, a scratchy guitar and steady dance rhythms are present in all of the selections. ‘Shweleza’ by The Queens being my favorite track here today. I ask myself what song is a favorite with you, dear reader?
This album has been on my turntable for the last past days and its appeal is growing with each spin. I find it hard to resist the magic coming out of these grooves; jazz, funk, afro-beat; definitely a fusion of styles that blends into a gentle South African swing.
Each of the featured tracks are winners, especially the bassline and close harmony singing on ‘Sishovingolovane’ and the comical funky mood of ‘Who Is Fooling You’ as well as the title track ‘Look, Listen And Decide’. Each track on this rare album deserves your attention so featured here today. Enjoy!
Stimela, the Zulu word for “locomotive”, is a South African Afro-fusion band, founded by Ray Phiri in 1982 after his previous band The Cannibals, the soul music giants of the 70’s, disbanded.
Stimela have since become little short of an institution in South Africa. Born and raised in Mpumalanga Phiri used to dance to his troubadour father’s puppet shows and had his first break in 1962 when he managed to dance for the legendary Dark City Sisters when they performed in Mpumalanga. From this performance he made enough money giving him a chance to travel to Johannesburg and start his own band.
Phiri, along with Jabu Sibume on bass, Isaac Mtshali on drums, and Lloyd Lelosa on keyboards were The Cannibals and during this time the group supplied instrumental accompaniment on recordings of other artists including Irene Mawela and the Mahotella Queens. The four joined forces with vocalist Jacob “Mparanyana” Radabe in 1975, continuing to work together for four more years until Mparanyana’s untimely death at the peak of his career. In 1982, renamed as Stimela, the band was further expanded with the addition of Thabelo Kgomo and Charlie Ndlovu on keyboards.
In 1985 the American singer and musician Paul Simon asked Phiri, along with Ladysmith Black Mambazo, to join his Graceland project, a hugely successful project that helped a number of South African artists to make names for themselves abroad. Phiri was the arranger of the Graceland album and he collaborated with Paul Simon again on Simon’s Rhythm of the Saints album, which saw Phiri tour for six months and perform on stages such as Central Park and Madison Square Garden, in Europe (1987) and the Soviet Union (1989), as well as appearing on top television shows in the US.
Although largely inactive nowadays, the mbaqanga/jazz/fusion band occasionally still appears on stage.
As Phiri explains, “We all have different things that we do in life. Stimela is an institution and therefore we will come together if there’s something we want to achieve.”