enjoy this mix of South African synth-disco/bubblegum/electro-boogie
some real unknown gems of the ON label and other in-demand tunes released originally between 1987-1989 in South Africa
ON! YULETIDE 2018 MIX
Mara Dee -Phinda Mzi
Odessa Traffic -Odessa Jam
Mara Dee -Rhythms Of Life
The Bees -She’s A Witch (Thokolosi)
The Bees -Mjondolo (Bus House)
Stanza -I’m Dreaming
Pamela Nkhuta -Gambling
Peter Maringa -Mama Jane
Street Kids -Dancing All Night
Mafika -Roadblock (Taxi Mix + Vocal version)
Odessa Traffic -Traffic Jam
Mercy -Sex Appeal
ON -the sound of ON Records 1987-1990
South African synth-disco/bubblegum/electro-boogie
Soul Safari is proud to present a brand new compilation featuring some real unknown gems of the ON label released originally between 1987-1989
The ON label was active in South Africa between 1987-1992, an era following the end of the apartheids regime and defining the new sound of Young Black South Africa in the early 90s.
The late 1980s in the rainbow nation was a time when disco was mutating into what was becoming known as Bubblegum: pop music aimed at the black population of South Africa.
Bubblegum was a response to Western styles like disco and the fast spreading house music which originally came from the black ghettos of Chicago and New York. When the second Summer of Love took the UK over in 1988, first house, and other electronic music styles conquered South Africa as well. DIY – do it yourself – a motto that had already appeared in the punk movement, lifted the young local scene to the next level. With a minimal set up – keyboards, some drum machines and samplers it was suddenly possible to make music without having to rent expensive studios.
The Bees are probably the most sought after group, releasing only a rare album in 1988 and a handful singles that are now highly collectible.
Themba Wawelela is a prolific South African artist/producer who is best known as ‘Little Big Man’.
Another star of the ON Record stable, Mafika Shabalala set himself apart from the rest with his lyrical skills, sung over the homegrown dance rhythms that soon gave rise to kwaito and later bubblegum.
Whoosha released an album like Mosquito in 1987, which was produced by Julian Laxton, Ronnie Robot and the late Charles Sejeng who was the voice of the group. Two tracks by Whoosha are featured on this compilation.
As the only female singer on this compilation Pamela Nkutha proves that her brand of Bubblegum pop is never less than utterly fresh and original.
ON -the sound of ON Records 1987-1990
South African synth-disco/bubblegum/electro-boogie
The Bees/Little Big Man/Mafika/Pamela Nkhuta/Whoosha
GROUNDBREAKING SOUTH AFRICAN MUSICAL ‘KING KONG’ TO DEBUT ON CD‘King Kong’ – Original London Cast Recording to be released on September 28th 2018
Stage Door Records is pleased to announce the debut CD release of ‘King Kong’, the groundbreaking South African Jazz Musical. The Original 1961 London Cast Album of ‘King Kong’ will be released on September 28th 2018.
‘King Kong’was a pioneering South African musical which portrayed the life and times of the heavyweight boxer, Ezekiel Dlamini, known as “King Kong”. Born in 1921, after a meteoric boxing rise, his life degenerated into drunkenness and gang violence. He knifed his girlfriend, asked for the death sentence during his trial and instead was sentenced to 14 years hard labour. He was found drowned in 1957 and it was believed his death was suicide. He was 36. Billed as a ‘Jazz-Opera’, ‘King Kong’ featured music by Todd Matshikiza and lyrics by Pat Williams. The production was first staged at Johannesburg’s Witwatersrand University Great Hall, opening on February 2nd 1959 and went on to take South Africa by storm.Nelson Mandela attended the opening night and is on record as highlighting the show as his favourite musical. The original South African production starred Nathan Mdledle, Ruth Nkonyane, Dan Poho and Miriam Makeba, helping launch Makeba’s international singing career.
West End theatre impresario Jack Hylton was determined to bring the ground breaking South African musical to London, insisting that as many of the original cast members as possible transfer with the production. ‘King Kong’ subsequently opened at London’s Princes Theatre on February 23rd 1961 and ran for 201 performances. Critics praised ‘King Kong’ for its inventive staging, stand out performances and vibrant score.
In more recent times, ‘King Kong’ has been recognised for the pioneering role the production played in breaking down racial barriers, defying the colour bar and uniting black and white South Africans at the height of the apartheid era. In 2017 the musical was profiled by BBC Radio 3 and later revived in South Africa by the Fugard Theatre Company.
Stage Door Records are pleased to debut the Original London 1961 Cast recording of ‘King Kong’ on CD. The recording is complemented with selections from the Original 1959 South African Cast recording, including many songs that were subsequently cut from the London production. The CD concludes with a handful of bonus tracks including pop covers of ‘Back Of The Moon’ and ‘The Earth Turns Over’ by Elaine Delmar and a jazz instrumental of the show’s title song by Terry Lightfoot’s New Orleans Jazzmen.
‘KING KONG’ – ORIGINAL LONDON CAST RECORDING (STEREO)
1. SAD TIMES, BAD TIMES – Company
2. MARVELLOUS MUSCLES – Nathan Mdledle, Company
3. KING KONG – Nathan Mdledle, Company
4. KWELA KONG – Orchestra
5. BACK OF THE MOON – Peggy Phango
6. THE EARTH TURNS OVER – Sophie Mgcina
7. DAMN HIM! – Joseph Mogotsi
8. GUMBOOT DANCE – Company
9. KING KING – Company
10. BE SMART, BE WISE – Ben Masinga, Sophie Mgcina, Lemmy “Special” Mabaso
11. CRAZY KID – Lemmy “Special” Mabaso And The Alexander Junior Bright Boys
12. TSHOTSHOLOSA – ROAD SONG – Company
13. QUICKLY IN LOVE – Nathan Mdledle, Peggy Phango, Stephen Moloi, Ben Masinga, Patience Gcowabe
14. IN THE QUEUE – Company
15. IT’S A WEDDING – Company
16. WEDDING HYMN – Company
17. DEATH SONG – Nathan Mdledle
18. KING KING (Reprise) – Company
19. SAD TIMES, BAD TIMES (Finale) – Orchestra
‘KING KONG’ – ORIGINAL SOUTH AFRICAN CAST RECORDING
20. SAD TIMES, BAD TIMES – Company
21. MARVELLOUS MUSCLES – Nathan Mdledle, Company
22. KING KONG – Nathan Mdledle, Company
23. BACK OF THE MOON – Miriam Makeba
24. PETAL’S SONG (THE EARTH TURNS OVER) – Ruth Nkonyane
25. DAMN HIM! – Joseph Mogotsi
26. STRANGE THINGS HAPPEN – Ruth Nkonyane, Joseph Mogotsi
27. BETTER THAN NEW – Nathan Mdledle, Company
28. MAD – Dan Poho, Company
29. QUICKLY IN LOVE – Miriam Makeba
30. IT’S A WEDDING (Original South African Cast Recording) – Company BONUS TRACKS
31. BACK OF THE MOON – Elaine Delmar
32. THE EARTH TURNS OVER – Elaine Delmar
33. KING KONG – Terry Lightfoot’s New Orleans Jazzmen
and still relevant enough to re-post it. US designer Dapper Dan from Harlem is now the new guest designer for Gucci.
Introducing the collection of ready-to-wear and accessories that takes its cue from the Dapper Dan archive created with the House’s refined materials. Featuring a new yellow Gucci logo, the pieces were shot by Ari Marcopoulos on young faces from Harlem.
Exploring the synergy of design between Dapper Dan and creative director Alessandro Michele, the new collection of ready-to-wear and accessories features tracksuits in luxurious fabrics, denim with late 80s washes and fits and GG canvas jacquard jackets.
Each new movement has obviously predecessors. Les Sapeurs became somewhat of a household name in Congo in the 60’s with their brash dandyism. In New York it was designer Dapper Dan of Harlem who created the flamboyant look and style of rappers like LL Cool J and other heroes of the early hip hop scene in early 80’s.
Right on 125th street in Harlem USA, sat a custom high-end clothing boutique owned by Mr. Dapper Dan. Before Kanye, Juelz, Fabolous and some other well known rappers wore Gucci and Louis Vutton, Dapper Dan in the 80’s and 90’s planted the seed for fashion in the hip hop culture. He created one of a kind customized high-end clothing that incorporated highly recognizable accessory logos like those of Gucci and Louis Vuitton, featuring them in non-traditional ways. His pieces were sold for thousands of dollars, and created a sense of what’s cool, what’s new in the streets and ‘in hip-hop’.
The designer describes his way of working as ‘sampling’, an unique interpretation of mixing existing designs and logos with his own interpretation. Dan Dapper ” I opened my workshop in ’82. First I would take little garment bags by Louis Vuitton and Gucci and cut them up, but that wouldn’t suffice for complete garments. So I said, “I have to figure out how to print this on fabric and leather.” I went through trial and error. I didn’t even know we were messing with dangerous chemicals—the U.S. government eventually outlawed the chemicals I was using. We made these huge silk screens so I could do a whole garment. A Jewish friend of mine helped me science out the secret behind the ink, and that was it.”
His designs specified the look of hip-hop artists, sporters and those incurred by gangsters. “Gangsters. That’s who I grew up with. Middle-class blacks couldn’t accept what I was doing—you had to be of a revolutionary spirit. Who would be more like that than gangsters? And who would have the money? Hip-hop artists didn’t have any money. They used to wait until the gangsters left the store before they could come in and ask what the gangsters wore. Everybody follows the gangsters. The athletes came before the hip-hop artists. Mark Jackson, Walter Berry. I’ve got pictures of NBA players that I can’t even remember their names. The athletes had money earlier that the hip-hop artists.
FAVORITE CREATION: The “Alpo Coat” [for drug dealer Alberto Martinez] and the Diane Dixon coat [for Olympic athlete Diane Dixon].
hi World…here is a new initiative from Soul Safari. A podcast to highlight and celebrate some great unknown South African music!
For this very first show I selected 12 really cool and rare 45 singles by the best of South African Soul Jazz groups, all records from my own collection. Different styles ranging from vocal to instrumental tunes, recorded and released between 1969 to 1982. Seldom heard on any radio-show…but exclusively now for your ears here on Soul Safari as a podcast. 35 minutes of great South African soul jazz.
I do hope you will enjoy this new initiative!
Here is the playlist and pics from all records played….
The history of Senegalese photography begins in Saint-Louis du Sénégal, capital of the French Sudan, with the first African photographers who began their trade in the studios originally operated by white Europeans.
The African pioneers gave a less exotic, more modern and prosperous image of their fellow citizens, away from the typical western imagery.
This unique exhibition includes thirty images taken in Saint Louis by the earliest African photographers like Mama Casset whose name is less known by the Western public than that of Seydou Keita.
AND THE PRECURSORS OF PHOTOGRAPHY IN SENEGAL
In 1870, in Saint-Louis, the former capital of Senegal, Meissa Gueye, Doudou Diop, Mama Casset and others photographed the bourgeoisie and the Senegalese people. In 1940, in Dakar, Mama Casset set up her new studio “African Photo” and became the undisputed master of the portrait, creating the stereotypes of the pose in the studio, often used in painting and studio photography across the continent. One of the first African masters of photography.
Dakar ca 1950-1960. Photo Mama Casset, studio African Photo. Courtesy Revue Noire
St. Louis ca 1930. Photo Mama Casset, studio African Photo. Courtesy Revue Noire
Mama Casset, born in 1908, died in 1992 after a life spent first in Saint-Louis-du-Senegal and then in Dakar, in the Medina.
Initiated to the photography of the time of the colonization by the French Oscar Lataque, he will be enlisted in the French army to make aerial photographs. In the 1940s, he set up his studio, “African Photo”, in the Medina, to become the fashionable photographer of Dakar.