Stan Rijven is a popjournalist who ao worked for the national Dutch newspaper Trouw (1979-2014). During the 80s he was a regular dj at squad Radio 100 (Tam Tam International) and hosted for 2 years the VPRO Radio 3 program The World Receiver/ Mundial (1989/90).
Mid 80s he co-founded the magazine Afrika. Combined with his Radio 100-program Stan organised the monthly held Tam Tam Club at Cafe De Pieter in Amsterdam which became a well known spot to hear the latest African pop and World music. At the same time Stan was busy establishing IASPM-Benelux, a global music platform for the Benelux (Paradiso, march 1984). Hence the name IASPM, International Association for the Study of Popular Music. To encourage the ± 40 Benelux members to pay their annual membership fee, Stan compiled this tape Globeat in 1989 as a present. Very rudimentary mixed with one turntable and one double casssettedeck, mixing was purely by feel, without a mixing desk.
Globeat is constructed with a radio-show in mind, covering parts of Africa and some unexpected contributions from Latin-America, the USA and the Netherlands as well.
Sad news came last friday when Ouagadougou was the centre of terrorists attacks claimed by an African branch of Al Qaeda. The hostage crisis ended in The Splendid Hotel with a total of 27 deaths.
Inbetter times Burkina Fasowasknownasarelatively peacefulcountry. ThepredominantlyMuslim countrylocated inthe West Africanregionisaffected more oftenrecentlyby the violence ofjihadistmilitias.Butpreviouslythe countryremained relativelyspared fromjihadistviolence, unlike neighboringcountries like MaliandNiger.
Itcomes asno surprise to know that many French artists in the 60s and 70s went to Burkina Faso to perform or record music with local artists. Like Serge Franklin whose artistic itinerary starts in France in the 60s as an author-songwriter when he published several 45s under his own name. The singer quickly became a studio musician as a sitar player and accompanied singers like Gilles Vigneault and Georges Moustaki at the Bobino theater in Paris, respectively in 1966 and 1969.
In 1971 Serge Franklin traveled to India where he perfected his skills on sitar under the pseudonym Adjenar Sidhar Khan. As a lover of primitive stringed instruments, Franklin recorded a rather remarkable album in Ouagadougou, featuring mainly local instruments like the cora, balafon, zanza and the bow.
The album contains a beautiful version of ‘Licha Wetche’, a traditional song that was popular with many artists. See also the Bleached Zulu
“Pour Recevoir Vos Amis Comme À Ouagadougou, Afrique” by Les Griots was released in France as part of the series Exotissiomo in 1975. It is a collection of traditional songs, field recordings and newly written material by Serge Franklin, performed by local musicians.
The mountainous kingdom of Lesotho, with a few natural resources and no significant industrial development, is one of the world’s least developed nations. The country is entirely surrounded and economically dominated by the Republic of South Africa. Muchof the workforce is employed in the mines of South Africa, most of the men work in the gold and coal mines where they stay in men-only compounds on basic 6 months-contracts. This massive volume of migrant labour means that Lesotho is highly dependent on the Republic.
Bohale Ba Dinare may not be a familiar name but his music deserves your attention for sure since this album has been on my turntable for the last few days and its festive mood seems like the perfect soundtrack to welcome the New Year 2016.
happy birthday Surinam! The former Dutch colony celebrates 40 years of independency today.
During the festivities swinging music will be heard on both sides of the Atlantic Ocean. It seemed appropriate to me to select 10 personal favourite tracks from my own collection to celebrate this festive day here in Amsterdam and Surinam. May these gems be heard around the world, as far as Paramaribo…Kawina, Kaseko, disco, surinam soul, latin, mambo …all from different decades and representing the most typical styles of Surinamese music.
At the same time I would like to pay attention to a special book which recently appeared; “Sranan Gowtu’ by Diederik Samwel. Published by Nijgh & Van Ditmar in association with record label Top Notch which already released two compilations with the stars of the Surinamese music in 2013.
The first step in the revaluation of Surinamese music started in 2013 with the collector ‘Sranan Gowtu’ with songs from six different decades. The compilation is packed with Creole music, calypso, Kaseko music, winti songs, salsa, soca, dancehall to the timeless pop hit ‘Wasmasjien! ” by Trafassi. Besides digitally and on CD this compilation is also available in gorgeous red and green vinyl.
However, this is only the beginning. The purpose of Sranan Gowtu is not only to provide an overview of the range of beautiful Surinamese music, but also to go in depth with compilations of individual performers. So meanwhile the best work of Dear Hugo, Trafassi, Max Nijman, Papa Touwtjie and Kid Dynamite has been republished.
And here are my 10 favourite songs from Surinam….
Big Jones and his Kawina Band -Ala Pikin Nengre
from the soundtrack ‘Faja Lobbi ‘; a film by Herman vander Horst (1960)
a kind of ballad about the town of Paramaribo. In the introductory solo singing, all the children (ala pikin nengre) are called to go to the town (foto) to admire everything that may be seen there; the houses (hoso), the big ship (biggie boto), the factories, the machines, the cars, the shops (wenkri) etc. Finally we arrive at the market (wojo) where we find an endless variety of articles, and an equally wide variety of people.
Big Jones -Par’Bo Mambo
rare mambo track that celebrates life in the capital Paramaribo
een 4 uur durende muziekspecial over Zuid Afrikaanse jazz, soul & funk door dj Eddy De Clercq & Frank Jochemsen. In dit programma gaat samensteller Eddy De Clercq terug naar de geschiedenis van jazz en de diverse invloeden van Nederland en Engeland in de muziek van Zuid Afrika. Vooral in Cape Jazz is dit duidelijk terug te horen maar ook in latere stijlen als township jive & kwela jazz zitten elementen welke Westers aandoen maar verweven worden met typische Zuid Afrikaanse melodieën en zang. Maar ook de excellente soul-jazz uit 1969 -een belangrijke periode in dit genre- komt aan bod, alsook de Mzansi House van 2014 naast enkele eigen producties van Eddy De Clercq & Friends, opgenomen in Zuid Afrika. Luister!
A 4 hour music special about South African music; jazz, soul & funk by dj Eddy De Clercq & Frank Jochemsen. Inthis program,compilerEddyDe Clercq dives deep intothe history of
South African jazz andthevarious influencesof the Netherlandsand England on the music ofthe country.Especially inCapeJazzthese influences are clear, butalsoin laterstylesastownshipjive&jazzkwelaWestern genres like R&B and jazz areinterwovenwith typicalSouthAfricanmelodiesandvocals. But also the excellentsoul-jazzof 1969–an important period in thisgenre-is discussed, as well as theMzansiHouse2014alongside someofEddyDe Clercq’s own productions, recorded in SouthAfrica.
The programme is presented in the Dutch language, but the music speaks for itself. Listen!
Vrije Geluiden Radio 6 20.00h-24.00h -26th July 2014-Theme: South Africa
Ah Glorious Summer! Now that the weather finally feels tropical here in Holland, it’s time go out and see some new African bands –and a few old favourites too- at the Afrikafestival in Hertme, Twente. Now in its 26th year
From 13:00 on Saturday 5th of July right through to 01:00 on Sunday 6th of July, there will be six groups playing. Three will be performing in the Netherlands for the first time and one of the groups will even be playing in Europe for the first time– a European debut!
The festival starts with Aziz Sahmaoui & University of Gnawa from Morocco. This group is often used to close the show at festivals, but in Hertme they will be the opening act. The Gnawa trance of Aziz will evolve into the heady trance of the BKO Quintet from Mali in which the hunters-ngoni from the Wassoulou area and the griot ngoni meet.
Singer Nancy Vieira from Cape Verde with her swinging ballads provides a haven of rest in the afternoon. They are one of the most promising new live bands in Ghana. This is their European debut – an exclusive for Hertme. Do not miss the chance to see this new exciting band performing for the first time outside Africa.
As night begins to fall, it will be time for Black Bazar. This group brings a mix of rumba and soukous from Congo. Next on stage will be Debademba from Burkina Faso/Mali. Both groups delivering us with an explosive dance party on this summer night.
Sunday 6th of July is the day of the big names.
At 12:00 o’clock the day kicks off with the magic and virtuoso guitar playing of Teta from Madagascar.
Mamar Kassey are an old acquaintance of Hertme having played there in 2008. Since then, they have become one of the top African bands.
The excellent Ethiopian Circus Debre Berhan will amaze you while Fendika provides explosive music and ‘shoulder-dance’.
The first African circus working with disabled and deaf people
The amazing Ethiopian Circus Debre Berhan was formed in 1998 in the town of the same name, three hours away from Addis. One can find circuses all around Ethiopia, in Addis Abeba and in various smaller towns. Although it’s not an old tradition in the country circus has a very important impact on communities, as they often mix stories about society (violence on women, HIV prevention, etc.) and more straightforward performances. The Circus is working with more than 100 acrobats, including children.
One of the important features in this circus, however, lies in the fact that it employs performers who have physical disabilities as well as those who are deaf. It is the first African circus working with disabled people. These performers, both those in the children’s act and the adult’s act, are extremely talented. Circus Debre Berhan’s shows open with the children’s beautiful and often very challenging acrobatics, followed by the adult act, which is staggering in its intricacy and difficulty. The performances are usually held in public spaces such as markets and main squares where possible in order to reach and entertain as many people as possible.
At the moment, Circus Debre Berhan is touring all over Ethiopia with its hundred or so performers split into small groups, to cover the vast countryside. If it continues its success, it will hopefully help change perceptions of disability and stigma.
Ferocious five-piece band with two phenomenal dancers
Fendika is a troupe of highly accomplished Azmari musicians and dancers. Founded in 2009 by Melaku Belay, a leading dancer, the ensemble is based at Melaku’s famous music club Fendika Azmari Bet in Addis Abeba. In Ethiopian culture, an Azmari bet is a traditional house of music where people come to be entertained, informed, and sometimes playfully insulted by the Azmari, who serve as current events commentators while they dance, sing, and play for tips.
Melaku is one of Ethiopia’s foremost dancers of the eskesta, a traditional Ethiopian trance dance of athletic shoulder movements. Growing up as a street kid, Melaku learned many regional dances of Ethiopia. He has travelled throughout Ethiopia to learn the dance traditions of the country’s 80 tribal groups. The musicians and dancers of Fendika present a cultural journey starting in the highlands of Tigray, Wollo, Gonder, and Gojam and so on.
Melaku Belay, dances;
Zinash Tsegaye, dance;
Misale Legesse, kobero (trad. drums);
Endris Hassen, masinko (one cord violin);
Nardos Tesfaw, vocals.
The biggest highlight of the 26th Africa Festival will be the historic reunion of Les Ambassadeurs. One of the members of this legendary group is Salif Keita. Together with his colleagues from the 1970’s, he will play the finest Malian music from that period.
Habib Koité hardly needs no further introduction. He closes the festival with his new band. It will also be the presentation of his new CD Soô.
Throughout the entire month of May Soul Safari will be listing field recordings, folk, private pressings, township jive & kwela jazz, African jazz, soul & boogie, mbanqaga,and much much more with absolutely no reserves.
Records that have been presented on these pages over the last five years are now on auction. So here is your change to grab some rare African vinyl as I am cleaning out my shelves to make room for new music.
Some highlights; a collection of ultra rare and seldom heard field recordings from ILAM, recorded by Hugh Tracey. These records were purchased many years ago directly from ILAM in South Africa from what was left of their unsold stock. All records come in their original cover with the labels attached to the back cover and are unplayed, in brand new mint condition.
More Soul Safari favs like great 45’s by jive kings The Soweto Boys, mbanqaga queens The Manzini Girls are now on auction.